Natalya Hughes‘ current series of works feel subtractive — as though she is actively painting out important portions of existing paintings as opposed to building off of nothing. Hughes always manages to capture a good sense of abstract shape through the use of negative space, and the images below seem to utilize prints of figures in traditional Japanese garb to Hughes’ benefit. The results contain what look like weird, residual phantoms.
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On the music video for her latest single, “Break Me,” Los Angeles-based experimental opera singer and multidisciplinary artist Micaela Tobin wanders through ancient castles and uses light and shadow to carry forth her noise-laden...
Written by
Tessa Hulls
Vee Hua 華婷婷
Navi Esparza