Bumbershoot still remains one of the more diversely curated festivals in the nation. That is probably why they referred to it completely as Seattle’s Music & Arts Festival. In its 42nd year, the 2012 edition was not lacking in diversity, as the main headliners over the course of Labor Day Weekend varied from Jane’s Addiction to Mac Miller and Skrillex. With six musical stages, and a wealth of other stages hosting comedy acts, readings and various panels, it is impossible to catch everything over the weekend. So here are the highlights instead, not in any particular order of awesomeness.
M83 acquired quite a bit of hype this past year. In fact, 2011 may have been THEIR year. With their hit single "Midnight City," it seemed like nearly everyone was jumping on the M83 band wagon. The funny thing about that is the band has actually been around for years; they released their first record in 2001. Securing a spot on the main stage for Bumbershoot 2012, M83 played to an audience packed with fans and those simply curious about the band.
After witnessing this performance, I can tell you that I've truly never seen anything like it. The intro was a spectacle all on its own with lasers and complex flashing lights that even I have a hard time describing. Both lead singer Anthony Gonzalez and keyboardist/back-up singer Morgan Kibby were extraordinarily entertaining. Their vocals were nearly spot-on with their record, but not in a lip-syching kind of way like we're used to at the award shows. The instrumental drum solos were riveting and exciting. The performance was everything that I hoped it would be, but I'm afraid to say that it is unfortunate that all many are remembering is the crowd of kids rushing to the floor and causing mayhem break loose. You can read all about that mess here. - KATIE NGUYEN
Sharon Jones and the Dap-Kings
This funk/soul band has been around since the mid-'90s, but if you didn’t know any better you would assume they formed in the early ‘70s. Carried on the shoulder by the spectacular voice of Sharon Jones and then brought to the forefront by the impeccable revivalist sound of the Dap-Kings, this big band lives up to all they hype their live show comes with. Despite playing on the main stage of the Key Arena, Sharon Jones and the Dap-Kings were able to generate energy in the crowd that transported you straight back to a seedy bar in Motown Detroit. Their music is approachable by individuals of all ages, as are their tributes to the various dances of the '60s and '70s, which are like an instructional video led by Sharon Jones herself. Her spirit is infectious, even if you weren’t alive to experience the origins of the music the band aims to bring back to a new century. Sharon Jones’ energy, charisma, and stage performance are liable to make her and the Dap-Kings the best set of any festival they attend, and Bumbershoot was no different.