Whereas Seattle still seems to be lagging well behind places like the Bay Area and Portland as far as potent psych rock goes, it has long been a haven for underground knob twiddlers of the more adventurous variety. Years back, there was a regular, mainly noise-themed night at the Baltic Room called No Tomorrow, that basically died due to lack of interest or attendance. I went to quite a few of those and you could generally count on a turnout of roughly four people. I'm sure you could cite factors like shows being on the hard sell on Sunday nights, but I think you'd also have to address the harsh noise aspect of the whole endeavor and how a lot of times that might as well be chick (and gay guy) repellant. Unless I'm in a bad vibes or demonic purging type of mood, even I get fairly bored with endless swaths of monolithic pedal howling. You've got to soften me up before you head fuck me like that. But these things never truly vanish into thin air; they just get pushed down to subterranean levels and then eventually sprout forth anew as a burgeoning seedling destined to bear the strangest of fruits. And so, a new and hopefully regular experimental electro night is born called Motor, curated by Sam Melancon, proprietor of the always compelling Debacle Records.
Seattle, WA @ The Comet Tavern - June 13th, 2012 LIVE SHOW REVIEW CONTINUED BELOW