Myong Kurily Brings The World To Chicago

Myong Kurily has a whole lot of the world inside her, and it translates into her art. She’s an equal-opportunity artist who loves to paint on sheets of acrylic as much as she likes to paint on canvases. She likes incorporating Eastern-influenced animals as much as she likes using Victorian-styled female characters. Kurily might have gotten a name out for herself through crafting clothing and kicks for Grammy award-winning rapper Lupe Fiasco, but at her upcoming solo show, Utopist, she will prove that she is just as much a standalone artist as anyone. Utopist will also showcase Kurily’s first large-scale art installation, and judging by her other works, it should be worth checking out.

View the flyer below for more details about the show at Phaiz!

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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