Arts journalism, by contrast, is fundamentally a celebration of the ingenuity and adaptability of human beings, even when the artistic expressions themselves may process difficult topics and times. That is why — after a four-year hiatus — I am excited to officially announce the long-planned...
With the onset of COVID and all things moving online, some event promoters have had the technological know-how to adapt more easily than others. Pink Noise is one of those projects. An art festival and immersive experience "full of noise, sound, music, performance, interactive...
A series of informal Zoom conversations about how artists and arts administrators are learning to grapple with public art, social practice, and performance in the context of digital space and real-life limitations. This third installment features conversations with and performances by writers and poets Ebo...
A series of informal Zoom conversations about how artists and arts administrators are learning to grapple with public art, social practice, and performance in the context of digital space and real-life limitations. This second installment features a conversation with Betsey Brock of On the Boards...
Since the Dot-Com Boom of the 1990s, San Francisco, California, has left its hippie and counterculture roots behind to become the poster child for the affordability crisis. With that has come the slow exodus of its creative class, who, priced out, have been forced to...
Photography by Naomi Ishisaka "But those are the most narrow parameters!" balks my well-meaning white friend. We are on our way to On The Boards to see dancer and choreographer Dani Tirrell's latest ensemble piece, Black Bois, and unrelatedly, I have just been articulating my latest dating...
In the same way that my 13-year-old self once fretted over who might eventually receive my postcard collection when I passed away (morbid, I know), a younger adult me used to wonder what it might look like when this day came, and how I would...
Some artists are prolific, churning out project after project at a speed that leaves onlookers wondering about their superhuman pace. Some have a much slower process -- painstaking in intricate detail -- and Eric Beltz is one of the latter. A drawing teacher at University of...
Oh, North Korea. The mechanics of filmmaking are lost upon you, are they not? You may have read about it -- which is why you probably attempted to control the script of Under The Sun and escorted the filmmakers to a number of pre-determined filming...
Another year has come and gone for the Seattle International Film Festival, and this year, our top selections include a lot of black comedies and films that capture the power of human emotion, in all of its positive and negative facets. Here are some favorites...