Octopoulpe Live Show Review: Gamifying Performance with Drums, Videos, and Masks

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Late on a Thursday evening, Octopoulpe headlined a humble show at Mandragora, a beloved community bar in Oaxaca, Mexico. I had been prepared to leave after listening to just one song, but after the squid mask-wearing South Korea-born Frenchie started his energetically-explosive math/noise/hardcore performance, I knew I was in for something different and special. By staying for the entire set, my mind was joyously blown.

Octopoulpe Live Show Review

On-stage, all one could really see in terms of Octopoulpe’s touring setup were lighting elements, a laptop, a projector, and a drum set — but Octopoulpe relied heavily on pre-produced videos that offered the sonic depth of a full-fledged band performance and the impressive interactivity of a video game.

The set began with a projected slide that warned the audience of potential nudity, violence, and other offensive images to come. It then launched into its narrative storyline for the evening, which featured a video of Octopoulpe in a dystopian landscape, complete with an eyepatch.

This character was supposedly Octopoulpe in the future, calling in to talk to the present-day him. In the room, Octopoulpe conversed with his video-projected future self and occasionally asked for input from the crowd when future self asked a question. Present-day Octopoulpe could then take as long as he wanted to answer the questions of future Octopoulpe; sometimes the video was frozen until present-day Octopoulpe hit one of his drums with a strong tap. A sensor on said drum would then prompt the next video clip to play, thus continuing the storyline.

Soon, future Octopoulpe would reveal that there was a mission for real-life Octopoulpe to undertake: finding the right song to save the world from Elon Musk, who would otherwise disastrously destroy the world as we know it…!!!

Octopoulpe Live Show Review

Octopoulpe Live Show Review
Octopoulpe Live Show Review

With that mission in mind, Octopoulpe began rest of his playfully chaotic set. It often contained images from video games, sometimes sounded like a video game, and regularly had crowd participation that helped to further gamify it all.

Each track was backed by shirtless, underwear-clad versions of Octopoulpe playing various instruments like guitar, bass, and keyboards. Once, they stood in front of a 2D Mario Kart background, once in front of a strange treadmill scene, and once in front of an urban South Korean cityscape. On-screen guest vocalists from around the world also served as performance partners for different songs. Their wide variety of vocal stylings would occasionally be made more interesting when Octopoulpe played with a certain drum rhythm that seemed to activate yet another sensor. Said sensor would then cause the vocals to double-back and glitch out on their own, creating welcome visual and audio dissonance.

I always appreciate a show where I am captivated by what I’m seeing yet cannot fully understand how it works. Octopoulpe’s set was obviously driven by videos that were somewhat affected by drum triggers and sonic cues, but it was only in its more simple moments that I understood how the strings were being pulled. In its more complex moments, I could only see that there was a sound-and-video correlation but I remained uncertain about how it all functioned. All I really knew was that the highly technical nature of the performance left me impressed that the dude likely programmed and masterminded the whole damn thing!

Beyond Elon Musk, Octopoulpe’s show did have other overtly political messages. Sure, he got the whole room to say, “Fuck Elon Musk!” so that they could play into the main storyline of the show… but there were also messages against fascism and transphobia, as well as also comedic animated cameos from other political leaders from around the world, who were made to look like bobble-head dolls.


Octopoulpe Live Show Review

One highlight moment was when a politician was randomly selected through what looked like a random Wheel of Fortune-type game.Far-right French leader Marine Le Pen was chosen and then placed into a fighting match similar to one from the classic fighting game, Mortal Kombat. Octopoulpe asked the audience for a volunteer who was a fan of video games and knew more or less how to play drums.

Once selected, the willing participant came on stage and was given a list of potential drum combos that would allow them to finish Marine Le Pen off in their choice of violent ways. The fatality that the volunteer activated gruesomely ripped off Marine Le Pen’s arms in the on-screen video game, prompting the entire crowd to cheer.

While such a moment may have been satisfying enough of an ending, the storyline wasn’t quite over yet. There was still the matter of Octopoulpe finding the right song to stop Elon Musk from ruining the world. Turns out, the right song was one that was dedicated to the Ninja Turtles… and wouldn’t you have it? Octopoulpe played it just in time to save the earth from a tragic future.

(A final group photo, taken that evening, was transported on-screen as a “memory of the past.” Some drunken white girl unfortunately covered me up with her sloppy obliviousness, though I was in the front row. She could later be heard telling Octopoulpe she had just broken up with her boyfriend, while some of us in the audience rolled our eyes.)

Octopoulpe Live Show Review
Octopoulpe Live Show Review

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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Written by Vee Hua 華婷婷

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