Despite Kadazia Allen-Perry's youth, her cystic fibrosis has forced her to confront her own mortality. In her autobiographical documentary, Chronic Means Forever, the African-American first-time filmmaker provides an intimate exploration into the feelings of alienation and frustration which accompany her life-long diagnosis. Allen-Perry is faced daily...

27 February, 2019

Photography by Claire FinucaneWe are said to dream on any given night, even if we fail to remember its contents. For the inaugural performances of Arya Davachi's immersive theatre piece, Rough Sleeper, a woman polls us before we enter the venue. Did we sleep well...

08 March, 2016

It’s tempting to think of SXSW Eco as the weird hippie brother of the massive music-film-interactive-free-vodka-was-that-Bill-Murray-and-RZA? festival. In reality, SXSW Eco is South By Southwest’s chic sister, just back from Les Ateliers and looking for ways to change the world while classing the joint up...

30 September, 2015

Platform, the second full-length from San Francisco musician, producer, and conceptual artist Holly Herndon, tackles the many confusing, conflicted layers of modern living, in the form of a poppy, accessible dancefloor sound sculpture. ...

28 May, 2015

Gett Film Review
Set almost exclusively in a tiny courtroom, Gett: The Trial of Viviane Amsalem, is an Israeli-French film about a couple's lengthy battle for divorce. Simple from its get-go, the film's major strengths lie in its tense appeal and multiple layers of meaning, which build slowly through use of seemingly trivial gestures. Director-siblings Ronit Elkabetz and Shlomi Elkabetz use the limitations of space, time, and color to give viewers a glimpse into Israeli society, where religious views and patriarchy can dominate female rights.
This film was seen as a part of Portland International Film Festival (PIFF) 2015.

 

13 April, 2015

Dustin Wong Takako Minekawa - She He See Feel Music Video
Building on his tendency of taking music video creation into his own hands, Dustin Wong has, quite appropriately, collaborated with musical co-conspirator Takako Minekawa on making the "She He See Feel" music video. The track is taken from the duo's latest record on Thrill Jockey, entitled Savage Imagination, and the imagination here is savage, indeed. Chroma-keyed imagery is overlaid upon warped, pulsing backgrounds, heightening the manic video game-inspired nature of the music -- and beneath the bedazzling and head-scratching effects of the videos lies pun-filled lyrical content about "flying over a desert via feeling, consciousness, and physics." No shit. In the Q&A interview below, both musicians speak to collaborating together, the relationship between gender roles and cutesiness in Japanese society, and concepts way more profound than one might expect from the music video.__ JAPANESE TRANSLATION BY MORGAN HARKNESS
Dustin Wong Takako Minekawa - She He See Feel Music Video
"... When we express our feelings with visual things (using emoticons and text to dissect them) instead of spoken words and letters, everything and lots of things become heavier coming out. It's all the same water. Discrimination, wars, gender issues... girlfriends, boyfriends, looking, feeling. A prism collects light, and then diffuses light. We are the same light, and we all shine in different ways." - Takako Minekawa
24 October, 2014

To trace one's own path from infancy to adulthood can sometimes mean ascribing new meaning to past events. It can mean uncovering moments that seemed innocuous at the time of their happening, only to discover later that they were, in fact, profoundly moving. Nature and ritualistic dance, two prime inspirations for Southern California artist Nathan Hayden, came to him down the pipeline of experience, in the form of significant life events he can now place importance upon as an adult. These moments, coupled with Hayden's curiosities towards the world-at-large, make him an artist that is ever-synthesizing and ever-seeking, eager to experiment and follow his many multidisciplinary whims.
Nathan Hayden Artist Interviewwhat was meant to be here was no longer, 2014, ink on industrial felt
"I'm just trying to access the possibilities of other things, and in the same way that I look at art throughout history and nature for little pieces of those other realms, I'm hoping that I can be a part of that process and for people to get a peek into other realms by looking at my stuff, that might bring about stuff that I can't even imagine." - Nathan Hayden
25 September, 2014

Portland, OR based art-collective-of-two MSHR have had a busy year. Birch Cooper and Brenna Murphy deepened their self-mythologizing practice during a residency at NYC's Eyebeam and just returned from Langenthal, Switzerland, where they constructed the sister show to this year's Time-Based Art Festival (TBA) installation. All this work means the TBA crowd gets more MSHR than ever before - more complex interlocking shapes of ambiguous signification, more mind-bending feedback loops of sound and light and, notable for the group's artistic evolution, more physical space, as the installation sprawls out in a large corner of the warehouse-like Fashion Tech building.
MSHR's installation, Resonant Entity Modulator, is showing daily until September 30th from 12 to 6pm with a performance by the duo on September 19th at 10pm not to be missed.

MSHR

MSHR
"Where we're at right now, it doesn't make sense for us to join a preexisting community or culture that has a set of rules or traditions. That can't happen for us, but we want that -- everyone wants that -- and with this project, we're creating our own sacred spaces and traditions. Pathways in. And up." - Brenna Murphy, MSHR

Brenna Murphy

Brenna Murphy Brenna Murphy

Birch Cooper

Birch Cooper Birch Cooper

 

"Although our work has a visual component, our work is more about a virtual realm. There are these invisible, virtual hyper-chambers that are there. - Birch Cooper, MSHR
MSHR Artist Collective Interview
19 September, 2014
Show more
Loading...