Lansè Kòd (The Rope Throwers) 1996 Every year, Carnaval comes and goes across the entire world, tantalizing everyone with its fanciful costuming and celebratory antics. But beyond the tourist circuit of Carnival lies another Carnival, in locales...
Last year, the NSFW video for Kirin J. Callinan’s “Way To War (WIIW)” caught my attention with its punk rock Lars Von Trier visual choices. Just recently, the same director, Kris Moyes, released a music video for Grizzly...
Multi-faceted artist Saya Woolfalk is burning hallucinatory fires up and down both coasts the beginning of 2013, with dual shows in NYC and Portland. Three-dimensional or two-dimensional, still structure or moving image, Woolfalk navigates it all...
The Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to summarize the most interesting, socially-conscious, and boundary-pushing of the bunch. This...
Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings...
While thousands of miles are covered, some of our favorite jams from friends will send ripples from our ears to your toes and cripple all bummer vibes to a pulp. All bands on this mix are friends, favorites, and/or involved in current or future...
In the slow-moving yet visually challenging for The Peach Kings‘ “Lonely”, director Paul Trillo pans back and forth between the New York skyline and a number of opaque and transparent human subjects, both opaque and transparent...
Barn Owl’s 2011 release, Lost In The Glare, was an instant love for me and earned a deep place in my heart with hardly any effort at all. I had been longing to see the Northern California duo since, and during the wait, my expectations had...
