Sometimes with music, especially when you’re listening to a genre that’s not a personal favorite, an album just needs time to grow on you. You may give it a few listens and walk away without much, if anything, to say. When you return a...
On a recent hour-long drive, I burned a CD of mp3s, and all that would fit on the disc was CocoRosie’s entire Grey Oceans album and nine tracks from Jamie Lidell’s latest effort, Compass. Five tracks from Compass were missing from the...
Rooftops are a clever little band. Their debut album, A Forest of Polarity, contains song titles all comprised of the same letters — a nice and quirkly little trick that fits well on the nice and quirky little album. Although it is not...
Many Seasons is Bay Area singer-songwriter Kacey Johansing’s debut solo album. It takes the listener more through years than seasons, with a jazzy folk feel that sounds like something out of another classier time. It’s the kind of album...
With GAYNGS’ first composition, “The Gaudy Side Of Town,” record producer Ryan Olson crafted what would later be the album opener for GAYNGS’ first release, entitled Relayted. This early track was so impressive that it reeled...
Venice Is Sinking’s recent release, Sand & Lines, was recorded on the stage of Georgia Theatre in Athens, GA.* This full-length record was made with two microphones and an analog system and was published with no mixing or post-production...
Secret Cities are a psych-pop trio from Fargo, North Dakota. And much like the Coen brothers’ film of the same name, Pink Graffiti is a wonderful dreamscape of complicit artistry and deliberate complexity. Though comparable to other pop...
Pretty much everything about Lookbook’s newest LP, Wild At Heart — including their choice of album name — confirms that they remain deeply enamored with the 1980s. With their synthpop sound under lead vocalist Maggie...