No one seems to be able to stop talking about Kendrick Lamar this year, and while we are no different from the rest in that regard, we've naturally made the effort, as usual, to put together an Albums of the Year list that is typically...

With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You'd be well-served to check out every single record here.
Vivian Hua - dance, indie, pop, psychedelic, electronic Troy Micheau - metal, electronic, experimental, ambient Jason Simpson - pop, soul, electronic, ambient Ian King - electronic, ambient, instrumental, pop Peter Woodburn - ambient, metal, garage, indie Judy Nelson - dance, electronic, indie, pop, hip-hop Albums of the Year 2014

Linda Perhacs - The Soul of All Natural Things
I spent a long time thinking about how to write this album review of Linda Perhacs' new album, The Soul of All Natural Things, the follow-up to Perhacs' 1970 album Paralellograms and her first new record in 44 years. Paralellograms is a cult classic, and cult classics capture the imagination in part because they stand alone. After approaching the new album warily, I am relieved to say that my image of Perhacs is still intact. Perhacs has slowly reemerged in the music scene as of late, due in part to fans such as Devendra Banhart and Chris Price, and has been working with a number of contemporary collaborators, including Julia Holter, Ramona Gonzalez of Nite Jewel, and Fernando Perdomo. Ramona Gonzalez's voice sounds great next to Perhacs's and accounts for the hymnal quality of some of these songs, particularly on "River of God", and I suspect that Julia Holter brought the electronic noise into this album as well.

When I think of Asthmatic Kitty, my ears immediately conjure sounds of organic acoustic guitars, beautiful harmonies, and, of course, banjos. Artists like Sufjan Stevens, DM Stith, and The Welcome Wagon all come to mind, but the label's newest release from Epstein borrows little from...

It's really easy to get lost within The Magic Place, Julianna Barwick's debut on Asthmatic Kitty. It's full of cathedral-reverbed voices looped against one another, intertwining into lines that float into space and little else. Minimal, definitely. The vibe of the album...