Directed by Shunji Iwai Canada 2011 The line on Shunji Iwai’s English-language debut, Vampire, is “Don’t worry. The film is really not about vampires,” which is true. There are no mythical shenanigans; no supernatural mystique artificially injected...
The San Francisco trio, BEEP, is equal parts experimental electronica, free jazz, and jam band — a delectable mishmashing, ragbagging, hodgepodging mingle-mangle of sounds. The band’s latest record, City Of The Future, will tickle the...
When your subject matter is Pacific Northwest foliage, it’s hard to create paintings that stand out from the crowd. Nicholas Brown demonstrates an original technique that brings a sense of order from layers of total chaos.
Constructed Documentation of Altarpiece (Meant to Adorn Sacrificial Altar during Martyrdom of Google Images) Brian J. Hettler is a digital media artist who attempts to approach his digital works with a fine art mentality. These glitched out images...
Nuclear Power Pants came off create synth-heavy, spazzy, lo-fi garage rock with an interplay between lethargic male and hi-energy female vocals. It’s certainly entertaining, to a degree, with tracks like “Uh Oh” starting off with...
The latest from California-based mathy, spazz-prog masters Tera Melos blends their frenetic brand of technical genius with far more poppy songs and structures. While this might be a turn-off for some die-hard fans, it is not unexpected when looking...
This amazing summertime jam — appropriately titled “In The Summer” — is a spastic ass creation shot on a Canon 7D, featuring a giant globe of a man and rainbow-colored whirling dervishes whirling around anything they could...
A large-scale watercolor by Walton Ford, who has been at it forever. Allow this image to speak heaps about his capabilities:
Falling Bough : 3′ x 9′ : 2002