When documentary filmmaker Tzewoon Chan began making his genre-bending film Blue Island 憂鬱之島 (2022) in 2017, Hong Kong was between social movements. Coming out of a previous project, Yellowing...
Read onWaiting for the Carnival (2019), an engrossing documentary by Brazilian filmmaker Marcelo Gomes, opens with a swath of billboards set against a stark landscape. Showcasing models in skin-tight blue jeans, the billboards welcome the viewer to...
Tracing the last century of Kauai’s history and its representation in film, Anthony Banua-Simon’s documentary, Cane Fire (2021), begins with a mystery: what happened to the never-released romance White Heat (1934)? White Heat was the first...
For many Seattleites, Aurora Avenue has for years been synonymous with prostitution, drug trafficking, and general urban decay. For those unfamiliar with the region, it’s a stretch of Highway 99 running from the city’s north to south...
Supreme Short Films at Slamdance 2022: Top Picks in Narrative, Animation, Documentary & Experimental
Slamdance 2022 returns virtually for yet another year in 2022, with access to over 100 films for only $10! Streaming from January 27 to February 6, the 28th edition of the festival yet again commits to supporting independent, emerging artists. In...
Early on in North By Current, a documentary by experimental multimedia artist Angelo Madsen Minax, a family of four slides into a retro diner booth four days after a funeral. As the mother tries to make conversation and the adult children stare off...
Hosted by Three Dollar Bill Cinema and running from October 14-24, 2021, the Seattle Queer Film Festival goes hybrid in its 26th year. All screenings are held in-person at various venues across Seattle and virtually via Elevent, celebrating a...
Early on in What We Left Unfinished, a new documentary from filmmaker and visual artist Mariam Ghani, a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion...