In REDEFINE's first bi-lingual interview, we speak with Gabriele Ottino, director behind the acid trip visuals for Italian electronic artist TOMAT's latest track, "1984". Taking inspiration from George Orwell and a wide cross-section of human affairs, the video mixes archival footage of events between June 1st and June 6th, 1984, glitch and pixel elements, and modern day footage of the musician into a brightly-colored visual slideshow.
"The denser the number of events a second, the more we lose the facts itself, gaining objectivity but losing humanity." -- Gabriele Ottino

 

MUSIC VIDEO AND INTERVIEW CONTINUED BELOW Directed by Gabriele Ottino and produced by Superbudda Studio

 

"... All political thinking for years past has been vitiated in the same way. People can foresee the future only when it coincides with their own wishes, and the most grossly obvious facts can be ignored when they are unwelcome." -- George Orwell, London Letter to Partisan Review

 

Drawing from antiquated influences and software, directors Dawid Krepski and Jason Chiu translate the hazy pop sounds of New York musician Beca into a narrative about the understanding and acceptance of the self, whatever that may look like. Below, both directors and Beca answer a brief Q&A about the creative process and underlying message of the "Fall Into Light".

 

"The title 'Fall Into Light' is a bit of a paradox since I associate light with upward movement, and the concept of falling makes me think of darkness. So it's this juxtaposition of light and dark which can be taken literally or figuratively, and I like that it's left open for interpretation. Maybe it means opening opening up yourself enough to see your true self." - Beca

 

Portland artist Ian Michael Anderson's latest collection of gouache paintings contrast earth tones and light pink hues with symbolic imagery, to powerful and striking visual effect. In Anderson's own words, his paintings aim to address chaos and conflicts in life as well as order, to help him gain insight into their distinct natures. He explains by saying, "... Dualistic narratives take shape [and] opposing forces are typically revealed: Life and death, good and evil, man and beast, predator and prey, war and peace. These dreamlike and often nightmarish fables reflect an outward and subconscious view of man and his destructive role in this world. Through this lens, my own place in these mostly impossible scenarios can be triangulated, and I am on my way to resolving the confrontation and understanding the need for such destruction." You can see these pieces in person on First Thursday, May 3rd, at Backspace Gallery and Cafe (115 NW 5th Ave) in Portland, and read a brief Q&A with Anderson below.