My idea for this mixtape comes from the surreal juxtaposition of cultures and time periods we are allowed to experience through the internet. Many of the songs were discovered in a state of self-induced hypnosis, while exploring YouTube and blog sites where record collectors freely share their rare relics with...

In this back-to-back exploration of animal portraiture, the bleak reality of unwanted shelter dogs contrasts sharply against the vividness of exotic animals set against brilliant backdrops. Ultimately, both celebrate life and humanity's relationship to the animal kingdom, though in vastly different ways. The full post includes personal summaries on what each artist hopes to accomplish with the series. (12 IMAGES TOTAL)

 

Karen Knorr

In Karen Knorr's India Song series, she digitally inserts rare and wild animals, from cranes and tigers to elephants, in ornate north Indian buildings. Where Yun-Fei Tou's appeal to human nature is more obvious (below), Knorr's is more veiled and steeped in cultural knowledge. According to her website, "The photographic series considers men's space (mardana) and women's space (zanana) in Mughal and Rajput palace architecture, havelis and mausoleums through large format digital photography."
The Queen's Room, Zanana, Udaipur City Palace

Yun-Fei Tou

For his Memento Mori series, Taiwanese photographer Yun-Fei Tou has taken over 40,000 portraits of dogs just hours away from euthanization. By seating the dogs in upright, human-like positions, they become almost human-like, giving viewers more to relate to. "I believe something should not be told but should be felt," says Tou, in an interview with Huffington Post. "And I hope these images will arouse the viewers to contemplate and feel for these unfortunate lives, and understand the inhumanity we the society are putting them through."
12:09PM, 10/24/2011, Taiwanese Public Animal Shelter, Time until Euthanized: 1.9 Hours

 

The 2012 Seattle International Film Festival begins on May 17th, 2012! In the next few days, we will be providing film previes for our top SIFF picks of the year. You can see all of this year's coverage HERE. Times and dates are subject to change, so please visit siff.net before heading to theatres, or see HERE for all SIFF-related coverage.

 


A CUBE OF SUGAR
Iran Directed by Reza Mirkarimi
An extended family gathers for the youngest daughter’s wedding, but not all goes as planned. A glowing pastel canvas and sensual score are dreamy counterpoints to the anxieties and celebrations of three generations. May 22nd @ 6:00pm, Renton IKEA Performing Arts Center June 1st @ 6:30pm, SIFF Cinema Uptown June 6th @ 9:30pm, Harvard Exit

 

Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to pick what we have determined to be the best and most interesting of the bunch. Portland International Film Festival 2012 runs from February 9th through the 25th,...

Part I: Now Age Manifesto And Q&A

TEXT BY THAD MCKRAKEN; Q&A BY VIVIAN HUA; MANIFESTO AND ANSWERS BY TARAKA LARSON The fundamental nature of time itself wasn't something I'd contemplated at great length until roughly a year ago. I think what turned it around for me was when I accidentally summoned what classic occultists would refer to as my Holy Guardian Angel. Out of nowhere in the summer of 2010, I started performing sigil projection exercises which seemed to be coming from somewhere else. I felt strangely and unconsciously compelled to envision myself in third person, as an external character wearing a sleek black suit. I was confronting my demonic persona -- the part of me that longed for frivolous shit like wealth and power -- or something to that effect. Who am I kidding, I had no fucking idea why I was doing this, but the further in I got, the more the scenarios played themselves out in my head; they had me shaking hands with the world's elite and proceeding to haunt their unconscious. To make a long story short, this version of myself that I'd been unwittingly focusing on actually showed up in my room one night. I will confess that I wasn't fully awake. I was in a hynagogic sleep state that a lot of mainstream psychologists would refer to as sleep paralysis. I taught myself how to do this by experimenting with astral projection years earlier; it fucked with my head forever. But it's what "I" told myself that's relevant here:
"We are the beings from the Sirius star system that were communicating with Robert Anton Wilson. We are the grey aliens. We are death. WE EXIST OUTSIDE OF TIME. That's why it's difficult for us to communicate with you."
They then projected a telepathic communiqué into the depths of my spirit. My reality became this video-like demonstration which oscillated between perspectives, drawing connections to something I'd also randomly started contemplating months prior – the Gnostic concept of the Holy Trinity:
  • The Father (or Holy Guardian Angel) – the me who is eternal and exists outside of time;
  • The Son – the me who exists inside what we refer to as human reality;
  • The Holy Spirit – the conjunctive tissue which binds us all into one coherent plotline; time itself, shown to me like a glowing orb which I existed inside of, though apart from my cosmic overmind persona (it/I watched from outside as if floating motionless in outer space).
Sounds completely nuts right? Well, it does until you realize you're one of about a billion people throughout history who have had this type of shit happen to them. Unfortunately, these topics are usually relegated to the easily disregarded world of "New Age" literature, ensuring that anyone who believes a half-man half-God walked the earth 2,000 years ago will laugh them off without a second thought. The term "New Age" has been so intentionally co-opted throughout the years by military and religious interests that even I hate it. Luckily, writer Daniel Pinchbeck has been trying to rebrand the neo-psychedelic evolution of these concepts as "Next Age." And here, we have the multi-talented Taraka Larson of Brooklyn's Prince Rama putting a much needed artier spin on ancient New Age ideas with The Now Age Manifesto. It's a work about the importance of intentionally transcending so called normal space-time perception and entering what Larson and English philosopher John G. Bennett refer to as Hyparxis, a hypertime dimension that has a timeless quality noticeable to human perception. In a way, these experiences and mind states kind of have to happen to you before you'll take any interest in them – but The Now Age Manifesto details concepts that will help you get there if you try. The entirety of Larson's manifesto can be viewed online at www.now-age.org.

The Now Age Manifesto: Introduction

The Now Age seeks to reconnect the current dislocation between time and space and resurrect the symbolic power of music by means of UTOPIA. NOW AGE = NO AGE Somewhere between Time and Eternity lies a dimension called Hyparxis**. Hyparxis is defined as an 'ableness-to-be'. It does not indicate a change in time, or a manifestation of eternity. Instead it refers to transformations in 'inner time'. Hyparxis combines what is actual with what is potential, thus creating a 'present moment' based on the internalized experience of external temporal events, past, present, or future. Thus, the Now Age refers to no age at all, but instead describes an elemental quality of being. UTOPIA = NO PLACE The word UTOPIA by definition signifies "NO PLACE". It is neither here nor there, of this world or transcendental to it. Its existence as a non-existence can be seen as a singularity, but within this "no place" exists an infinity of space. Thus an invisible "space between worlds" is created that acts as a medium between the real and the ideal environments. This aspiration for a space within a pre-existing place is vital for distinguishing the utopian impulse from the transcendental impulse; whereas transcendentalism seeks escape from the "real" world in exchange for an ideal one, utopia instead seeks a deeper connection with this world in the form of tapping into its inner potential, a REALIZATION of the REAL. It is here that the musical environment lives. Sound in and of itself is a tangible example of "no place". It is pure vibration, a shifting of air particles, and is thus (by sheer virtue of its nature) wholly meta-physical. **John G. Bennett, The Dramatic Universe

 

Throw this on when the fractals have dissipated. This is music for the come down. Time to ruminate on lessons learned, ladies and gents. Curated by Troy Micheau, REDEFINE Staff Writer

 

Here's a peek into what's coming up at the 2011 Seattle International Film Festival. You can buy all tickets at www.siff.net. Pinoy Sunday (2010) Taiwan, Directed by Wi Ding Ho It’s The Puffy Chair but in Taiwan. Which makes it better than The Puffy Chair. But not by much. Does mumblecore work in...

If you are looking for films from today, Wednesday, the 27th, you can see them here. Below are choice picks for the remainder of this week! Full festival details and movie listings here. --- Asleep In The Sun This Argentine film evokes the tag words: "metaphysical mystery," "canine-crazed," "soul-deep," "Kafkaesque world," "psuedo scientists," "self-possessed,"...

How To Die In Oregon This film does not beat around the bush. Beginning with a terminally-ill cancer patient who dies on camera, How To Die In Oregon explores the sensitive issue of physician-assisted suicide. Directed by Peter D. Richardson - UNITED STATES SHOWTIMES Sun, Feb 20 @ 9:30am (B1) Mon, Feb 21 @ 7:30...