Portland artist Ian Michael Anderson's latest collection of gouache paintings contrast earth tones and light pink hues with symbolic imagery, to powerful and striking visual effect. In Anderson's own words, his paintings aim to address chaos and conflicts in life as well as order, to help him gain insight into their distinct natures. He explains by saying, "... Dualistic narratives take shape [and] opposing forces are typically revealed: Life and death, good and evil, man and beast, predator and prey, war and peace. These dreamlike and often nightmarish fables reflect an outward and subconscious view of man and his destructive role in this world. Through this lens, my own place in these mostly impossible scenarios can be triangulated, and I am on my way to resolving the confrontation and understanding the need for such destruction." You can see these pieces in person on First Thursday, May 3rd, at Backspace Gallery and Cafe (115 NW 5th Ave) in Portland, and read a brief Q&A with Anderson below.

 

Drawing from the beauty of the Pacific Northwest and one of the area's most majestic creatures, Rafael Anton Irisarri of The Sight Below and Thomas Meluch of Benoît Pioulard have breathed life into a new project, Orcas. On their debut self-titled disc, the two have created nine tracks of ambiance-heavy songs featuring a number of opposing elements, including light and dark, acoustic and electronic, textured subtlety and straight-forward hook. In that spirit of balance, this bilateral feature places side-by-side interview responses and sample tracks from both artists, to dissect the strengths, weaknesses, and sonic tendencies both musicians contribute to making Orcas the rich collaboration that it is.

Benoît Pioulard

"Sault" from Lasted Where Irisarri's soundscapes lay a gentle foundation for the work of Orcas, Meluch's work as Benoît Pioulard provides more accessible and structural elements, complete with singer-songwriter pop melodies. "Sault," from Benoît Pioulard's album Lasted, has guitar and vocal tendencies that connect to the piano and guitar lines of "Arrow Drawn," which is streaming below.

Rafael Anton Irisarri

"A Great Northern Sigh" from The North Bend As The Sight Below, Rafael Anton Irisarri's compositions rebuild familiar emotions and spaces by way of minimal electronic soundscapes. According to Irisarri, "A Great Northern Sigh" has conceptual and thematic ties to the work of Orcas, as it also relates to the Pacific Northwest. "Almost like an audio postcard," he adds. "What can I say -- I'm deeply inspired by this region and wouldn't imagine composing our Orcas album anywhere else."

 

matt leavitt
Time permitting, Portland-based artist Matt Leavitt allows his imagination to run free by tinkering, inventing, and manipulating objects in the pursuit of fine artistic ideas. The fascination of his multi-disciplinary artwork can be found equally in the methodologies spawning them as in the finished products themselves; trial and error, as well as chance events, serve as stepping stones to reaching greater ends -- some predictable, some unpredictable. Leavitt creates with the mentality of sussing out his wildest artistic fantasies, all the while drawing equally from his knowledge in Civic Engineering and his experiences at Great Vow Zen Monastery in Clatskanie, Oregon. In his experimentation, he has done things many would never consider. He has attempted to make ink from flowers petals; he has thrown melted candle wax onto frozen ponds; he has created sculptures from liquid clay. His interests flow in many directions, and these divergences are present when one looks at his entire body of work. The projects he undertakes are always well-detailed within his mind; every piece of every series falls in line with subtle stylistic rules yet deviates within a larger framework.