Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often only viewed on tiny screens...

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.
Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers
In our 2012 Album Covers of the Year feature, we once again get our hands on everyone we can. Through interviews with designers, musicians, labels, and plenty of others, we take a close look at just how many hands are in the pot when it comes to the album artwork process. Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings or artistic mediums, and then are displayed on spectrums. Get started by navigating into any of these six sections: Geometric & Pattern-Based Classically-Influenced Narrative & Symbolic Photography & Manipulations Painting & Illustration Collage, Sculpture & Mixed Media You can also see last year's at 2011 Year-End Respect For Album Cover Art
 
Everything the rainbow light touches in this music video for Onuinu's "Ice Palace" turns to psychedelic flourish and ethereal whimsy. A lack of contrast and many a post-production effect create a piece that is half sensual and half digitized, a well-paired visual aid for Onuinu's music, which possesses those same qualities. Director Andrew Sloan and choreographer Jin Camou discuss the visual decisions and the mentality that led to the final creation of "Ice Palace", in the following Q&A. Onuinu's "Ice Palace" will also be featured at REDEFINE magazine's Motion & Movement In Music Video panel at Bumbershoot and MusicfestNW 2012. SEE FULL DETAILS
"This is a very sexy song. The images are meant to combine to create a visual aphrodisiac for the viewer; alone, an orange might not be that sexy, but when you bounce it around next to a pomegranate, a flaming house, and some nice looking women, suddenly the meaning of the orange changes." -- Andrew Sloan, Director of Onuinu's "Ice Palace"

 

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion, Sculpture, Installation _____________________________    91 Album Covers For 2011 Best Of 2011 Album Cover Art

Apteka - Gargoyle Days
Despite never having met one another, Portland designer Dylan McConnell and Chicago's Apteka have grown a well-fitting artistic relationship through the years. McConnell's album cover for Gargoyle Days may be their most gripping collaboration yet.

QUOTES FROM: DYLAN MCCONNELL, DESIGNER ADAM LUCAS, APTEKA'S GUITARIST AND VOCALIST THEMES & CONCEPTS "We had worked with a sorta paranoid, dark op-art theme in the past for posters and albums (with a brief interlude of lopping off girls' heads). High contrast and fluid -- that's what I was going for." - Dylan McConnell COLLABORATION "We've been working with Dylan pretty much since the band formed. He's done all our cover art, and most all of our show posters so far. Things clicked from the beginning. He just has a knack of taking what we're doing musically and expressing it in a visual way. The funniest part is that we've never really met. He lives in Portland, and we're in Chicago. A mutual friend turned us on to him, but we've never had the chance to meet in person. It's all been through email. Which is kind of a weird way to communicate artistic intentions, but somehow it works, and he’s become this mysterious fifth member of the group." - Adam Lucas Record Label Carpark Records The Artists Design - Dylan McConnell Mediums & Materials Collage, Digital, Typography (hand-drawn)