Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often...

M. Geddes Gengras - Ishi Album Review (Leaving Records)
Ishi, the newest synthetic slow-burner from LA-based M. Geddes Gengras, is based on the story of "the last wild Indian" named Ishi, who emerged from the wilds of Northern California in 1911, at the age of 49. M. Geddes Gengras may be best known for two acclaimed collaborations with Sun Araw, but he's quite accomplished in his own right. He's played in some of the noise underground's most famous exports, such as LA Vampires, Pocahaunted, and Robedoor, as well as releasing a slew of solo records, mostly revolving around synthesizers and improvisation. On Ishi, Gengras' modular synths simulate the sensation of wandering through a city crowd for the first time, where the ladies' fashion is like so many colorful birds; where the endless stream of faces becomes a babbling brook. It's almost too much to take in; it's overwhelming, so it just becomes a colorful blur of humanity.

At this moment, your mind is receiving stimuli that defines the space around you. Infinite waves of molecular interactions are coursing through your body, separating isness from notness, being from perception, object from space; determining the contours of your physical and mental limits while daring you to shatter them. Space is your space, the loop from your mind to subject and back. There is room for much confusion here due to latency -- the time it takes to complete the loop -- but there is also room for exploration, for realization, and for creation. How we fill the space is up to us. The opportunity a wonderful gift which can be made even more powerful when we share it with other people -- when we bottle the loop so that others can trace its orbit. We do this through every creative act, and yet, some are more obvious than others. Architecture, for example, or sculpture, but what about words? What about music? There are sounds that define and create spaces that feel more real than those confirmed by visual or physical cues. These are the sounds that characterize the music of both Sun Araw, M. Geddes Gengras, and The Congos. All three artists are prone to constructing material hallucinations from sonic vibrations. And now, in 2012, we have Icon Give Thank, a record combining Sun Araw's desert acid zones with The Congos' Kingston temples into one heroic dose. Cameron Stallones of Sun Araw, Geddes Gengras, Ashanti Roy of The Congos, and director Tony Lowe all chime in on this interview, to offer a glimpse into the divergent cultural and creative worlds that intersected in the creation of a final record and short film product.

Sun Araw

"Crete" from Ancient Romans

M. Geddes Gengras

April 2012 Tour Set

The Congos

"Fisherman" From Heart Of The Congos