Yair RubinsteinA lot of barbs were thrown at James Blake on the run-up to his debut LP. Music critic Simon Reynolds playfully referred to Blake and his fellow soulboy bass-heads (i.e. Mount Kimbie, Jamie Woon) as ‘blubstep.’ A poster on a music forum...
One of the more profound conclusions I’ve arrived at over the last several years involves acknowledging the hyper-potency emanating forth from works of art heavily influenced by various, yet seemingly disparate, spiritual disciplines. Rather...
Vee Hua 華婷婷Emil & Friends’ new EP, Downed Economy, is perhaps best exemplified by its opening track and title track. Although the most upbeat track on the EP, “Downed Economy” shares similarities with the other songs by featuring an...
"There are plenty of people doing completely novel, transgressive things, but no one knows because it is too esoteric or inaccessible." --
Nika Roza Danilova
Today, we just hosted a stream of Mogwai’s film Burning, created by the fine folks at La Blogotheque. This is just another brand new Take Away Show — #109, if you haven’t gathered — featuring a performance by Sharon Van Etten...
During a Seattle stop, April Smith and the Great Picture Show invited Sarah Shay of The Mongrel Jews to play suitcase on their song, “Colors.” The album is out now.
Sometimes with music, especially when you’re listening to a genre that’s not a personal favorite, an album just needs time to grow on you. You may give it a few listens and walk away without much, if anything, to say. When you return a...
On a recent hour-long drive, I burned a CD of mp3s, and all that would fit on the disc was CocoRosie’s entire Grey Oceans album and nine tracks from Jamie Lidell’s latest effort, Compass. Five tracks from Compass were missing from the...