Stacey Page takes found photographs and adorns their subjects with elaborate thread headdresses and masks. Delving into notions of ego and avatar, Page creates a seamless melding of antiquated strangers and vague, archetypical monsters that stare out at the viewer with some understated promise of wisdom and secrecy. Page recently took the time to answer some questions for us about her work.

 

Coinciding with bright spring threads come a fascination with brightly-colored, geometrically-minded embroidered works! In this post, we examine works from artists who painstakingly thread through paper to vastly different ends.

 

Shaun Kardinal

This year, Seattle's Shaun Kardinal has taken a bold leap from minimally embroidered postcards to more involved pieces set upon multi-layered collages. By reconstituting rare pages from 1950s LIFE magazines, Kardinal explains what he calls "a long-time fascination with radial compositions and mandalas" in his Connotations. Expect a joint interview between him and Erin Frost within the month.