Los Angeles-via-Portland's STRFKR are a band people love to hate, but I like to give props where props are due. "While I'm Alive", from the band's latest album, Miracle Mile, may be my favorite song of theirs yet. Groovy basslines and sweet echoes of, "I love my life," are posi-well, but the track's prime attraction lies in a high-pitched vocal wail, perpetuated throughout guitar notes during the track's introduction and hook. Given the dynamic quality of the aforementioned vocal line, any successful require music video would need to acknowledge its brilliance with equal measure. Luckily, director David Terry Fine's collaboration with the Seattle dance troupe Can Can Castaways executes this with flying colors. (We're talking one of the swellest dance moves I've seen this year, next to the headless-arms-waggle at 2:05 of this So You Think You Can Dance number). Much like the life-affirming concept of the music video, stills from "While I'm Alive" are plenty nice-looking, but show off very little of its glowing essence, which lies in living movements both subtle and bold. In this Q&A with David Terry Fine, he touches on the experience of working with STRFKR and Can Can Castaways, as well as the appeal of body movement.
 

Starfucker works with Joshua Cox on this beauty, taking kaleidoscopic imagery generally manifested through digital means and turning it on an analog head. In what must have been a high-budget, laboriously-planned effort, this video for "Bury Us Alive" sees the appearance of clever special effects and earthy costumes. The team...

For the first year ever, REDEFINE magazine -- a Pacific Northwest-based independent music, art, and film blog -- has decided to undertake the daunting task of throwing a show at SXSW.After partnering with influential Dallas-based mixtape blog, Clumsy & Shy, and enlisting the help of Portland, OR booker, The Petite Zarathustran, the collaborative trio...