Seattle’s 11th annual Decibel Festival is quickly approaching, which means it’s time to start the agonizing process of picking and choosing amongst the myriad of showcases, Optical shows, After-Hours, conference workshops, and boat parties the festival has to offer. There are shows and conference activities...
Now in its tenth year, Seattle's Decibel Festival has grown from a tiny electronic celebration to a world-renowned music festival without sacrificing attention to detail along the way. From fabric wristbands to the notable lack of corporate sponsors -- save for ones that directly affect the electronic music scene in some way -- Decibel has retained a number of the charming qualities which usually become lost to larger festivals. Its continued stress on the audio-visual merging of music and motion art continue to push the festival forward as well, as Seattle's best venues were sometimes upgraded with video equipment and makeshift spaces were sometimes transformed into festival-worthy ones.
Decibel's continued Optical series is the festival's low-key element, which focuses on mixed media programming that combines ambient, modern classical and experimental sound art with live video, films and installations.
This review highlights some of Optical 2012's best moments, in our eyes, with reviews of performances by Robert Henke, Biosphere, and The Sight Below.
SEE FULL SHOW REVIEW
Optical 1: Ghosts In The Shadows -- September 26th, 2012 @ The Triple Door, Seattle, WA
Written by VIVIAN HUA
With the pounding of chaotic weather against manmade walls, Robert Henke introduced the crowd at The Triple Door to six channels of surround sound. The stage itself stood dark and empty, with the maestro nowhere to be seen.
Rain in one ear morphed into train tracks rattling by; howling winds in the other transformed into vehicles and airplanes soaring past. Henke's sounds were so convincing of reality and so unseeming that the audience at The Triple Door carried on with conversation well into the opening minutes of the performance. But as the light rain increased into a torrential downpour, it gave way to machine-like sputtering and alien crackling, and those who hadn't been paying attention finally began to do so.
SHOW REVIEW CONTINUED BELOW
This post highlights some of our favorite multi-disciplinary arts events (centered mainly around music) coming up from like-minded co-conspirators in Seattle, Portland, and Los Angeles. More events for the next post, including two installments of REDEFINE's Intuitive Navigation in Seattle and Portland (see last year's HERE), and Seattle's ambient music festival Substrata.
Signify, Sanctify, Believe
Presented by Xhurch and Open Engagement
Multiple days - FREE
A traveling troupe of performance art semi-spiritualists, Sanctify, Signify, Believe, are now on the road to conduct a series of head-scratching events that will leave you wondering about your connection to the spiritual world and religion.
The party kicks off May 15th @ 1:00pm at repurposed church venue Xhurch, with an open house and healing service that runs until 4:00pm. Other events taking course throughout the week, until May 20th, include plenty of lectures, performances, musical acts, and REDEFINE involvement in the form of Prince Rama-inspired Now Age tracts for the group's Library Of Sacred Technologies.
It almost makes too much sense that Kinski would choose to do a live score to the experimental silent film, Berlin: Symphony of a City. The band named themselves after Klaus Kinski, the wonderfully insane sidekick to legendary German New Wave director Werner Herzog (whose...