This evening, the spirit of the '60s seems alive and thriving in the Crystal Ballroom. You can sense the remnants of bands like New Riders Of The Purple Sage or The Byrds, as you set foot upon the legendary bouncing dancefloor. It is a grand West Coast ballroom, in the tradition of the Fillmores; there's an epic chandelier, worthy of the Phantom Of The Opera, and Renaissance paintings al fresco on the walls. It's a classy place to see a real rock n' roll show. I don't know what it is about these ballrooms, but they always seem primed to go off. Maybe it's because they were designed for getting down, with wide open wooden dancefloors and killer sound systems. Imagine the surprise of the 1914 founders, if they could peer through time and hear the hardcore racket that would be pummeling out on a Wednesday night, nearly 100 years later. This was basically a double-headliner bill between two influential bands of different eras: Helmet, from the early '90s, and the most famous of the '70s school of artpunk, Wire. Wire, Helmet Live Show Review - Crystal Ballroom, Portland, OR

Portland artist Ian Michael Anderson's latest collection of gouache paintings contrast earth tones and light pink hues with symbolic imagery, to powerful and striking visual effect. In Anderson's own words, his paintings aim to address chaos and conflicts in life as well as order, to help him gain insight into their distinct natures. He explains by saying, "... Dualistic narratives take shape [and] opposing forces are typically revealed: Life and death, good and evil, man and beast, predator and prey, war and peace. These dreamlike and often nightmarish fables reflect an outward and subconscious view of man and his destructive role in this world. Through this lens, my own place in these mostly impossible scenarios can be triangulated, and I am on my way to resolving the confrontation and understanding the need for such destruction." You can see these pieces in person on First Thursday, May 3rd, at Backspace Gallery and Cafe (115 NW 5th Ave) in Portland, and read a brief Q&A with Anderson below.