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So, Bright Eyes. It's come to this. That The People's Key came out somewhat overcooked in the studio cannot come as a shock to most long-time fans of Bright Eyes. Each subsequent album after Fevers And Mirrors (with the exception of I'm Wide Awake, It's Morning)...

Marnie Stern's sonic attack strategy has always been of the scorched earth variety, firing all salvos in a constant barrage of squealing guitars and yelping incantations, until the listener's mind is thoroughly melted. While the latest album still carries its fair share of her patented...

Grass Widow primarily play an anonymous brand of surf-tinged garage rock, and the ten tracks that make up Past Time do not stray far from that foundation. However, the group is adept at adding just enough textural variance to keep the songs from becoming...

Parlovr are a three-piece out of Montreal, crafting a self-professed "stripped down, salacious and spastic" breed of indie pop. Their self-titled debut is bristling with nervous energy, somehow corralled into concentrated, three minute bursts of melody. Underneath all their shambling glory, many of the songs...

Brenda is a three-piece (all male, naturally) pop-rock group from Portland, Maine, with a "sound firmly rooted in '90s lo-fi and alt-pop," according to their label. Their debut LP, Silver Tower, holds true to this assessment, though "firmly rooted" may be better stated as...