Andrew Dickson is neither licensed nor experienced as a life coach. He simply believes that no one is broken or requires fixing; everyone just needs a little help to bring their own answers out. He...
Read onPerforations Perforations, a series of four works by Serbian and Croatian artists, got off to a bad start when TBA representatives walked through the audience line warning the show may induce claustrophobia and requires standing. For people already...
Here’s a disclaimer before I get started. I auditioned for the installation component of this show back in July and didn’t get in. Not that I have any hard feelings — the audition itself was a fascinating experience. I’ve...
Ambiguity is one of the most powerful tools performers are using to draw us into their work. In the case of Japan’s Offsite Dance Project, uncertainty dictated everything the audience did, starting with when we gathered into the Olympic Mills...
I had no idea what to expect from Fin de Siècle by Portland composer Sarah Dougher. The show turned out to be unlike anything else I’ve experienced in all of my five years attending the TBA Festival. Dougher’s performance was described...
Innovation is often born out of constraint. The core of TBA’s popular Ten Tiny Dances is the magic of making a lot from a little. Ten choreographers are invited to develop original performances designed for a humble four-by-four-foot stage...
It’s a life-long fantasy of mine — and maybe this is true of many creative people — to find a group of like-minded artists that could I band together with to form an experimental collective, living solely for our art. The Rude...
There were no bouncy castles to be found where I grew up, so I’ve been waiting all my life to finally get in on some inflatable jump room action. Naturally, when I arrived at the launch of TBA’s 2011 festival at Washington High School, I...