These symmetrical flurries are only one portion of artist Tatiana Plakhova's art portfolio, but they are certainly amongst the most immediately gratifying. Something about these jellyfish-like whirling ornaments just seem comforting. See some more of her works on Flickr or Behance. ...

As of today, you have one more week left to snag some Bigfoot pieces from Flatcolor Gallery (528 First Avenue South, Seattle, WA) -- lucky you! Snatch 'em up while you still can! The full-color painted pieces are not cheap, but I don't imagine they'll...

Jeremy Mangan makes paintings of barns. Barns are not in and of themselves fascinating subjects, and it's hard to escape the cliché imagery associated with them -- of wheat fields and bucolic pastures. But Jeremy Mangan makes barns magical.
jeremy mangan Mangan grew up in rural Washington but spent a number of years living in New York while attending graduate school at Hunter College. His interest in shantytowns and weather-worn buildings began with observations of his surroundings, and was later informed by the urban layering of New York City. "I think what [my interest] comes from is a combination of growing up here and always being attracted to these dilapidated old structures," Mangan explains over coffee. "And then in New York, the overbuilt stacking, the literal hierarchy -- where the higher up you are, the higher up you are. You look up and you see the penthouses, and then you look down and you go into a subway." When Mangan first began his explorations into rural Americana, he was working with a very unorthodox medium. "I was painting fairly realistic, naturalistic subject matter at that point, and I was frustrated, so I decided I would just use the dumbest material I could find -- something that wasn't meant for art making and wasn't so precise," Mangan explains. "So I just bought a cup of coffee from the local bodega and started painting with it."
"Music does something kind of like poetry does. We can access music and listen to music and it doesn't have the expectations on it that visual art does, to be important or meaningful or to have direct social commentary... There's just something visceral and direct about it that I want to be in my paintings also." - Jeremy Mangan
Looking at his work, it's hard to believe that Mangan managed to achieve such an impressive array of depth and tones using coffee, but he has always been a technically skilled artist. He attributes much of his painting technique to his time spent as an ice carver. While finishing his graduate degree, Mangan's studio shared a building with Okamato Studio, the ice sculpting business of Takeo and Shintaro Okamoto. "They knocked on my studio one day and said, 'Hey, I need to deliver this ice sculpture; I could use a hand with it.'" At first Mangan only helped with the deliveries, but he was gradually entrusted with more responsibilities. Eventually they let Mangan try his hand at carving. "They gave me a 300 pound block of ice and a chainsaw and said, 'Go for it.'" Mangan's experience with carving fundamentally changed the way he approached painting. "As a painter, I could look at a face as a mug shot, and then in profile, and imagine how I would render it and how the line should be, but ice sculpture made me think in terms of volume, and that took a while to learn." This sojourn as an ice sculptor led Mangan to many interesting situations, including one assignment making a giant reindeer for Martha Stewart's holiday party. "She seemed very... uh... composed. Like she was working. Very smiley, almost robotic. What you might expect." Although it was a day job that involved creating and working with his hands, Mangan ultimately felt that he needed to leave New York and make more time for the work he wanted to pursue. "I was working 40, 50 hours a week carving ice, and I didn't go that far away to become an ice carver. It was just a job. I wasn't painting... I joke that I needed to leave New York and move to Fife for things to really start coming together." jeremy mangan

The online indie shop Insound have put together a series of poster and t-shirt designs for a bunch of bands that are the who's who of indie rock right now. Here are some of the posters from that series -- the best ones, actually. Some...

I guess it seemed only inevitable that Vice Magazine and Scion (purveyors of some pretty rad multi-disciplinary art shows these days) would converge on a project, and that they have. August 14th through September 4th, The 2010 Vice Photo Show will be taking place, and...

Elemental is a group show featuring collaborative pieces that have undergone Round Robin treatment by Yellena James, Jill Bliss, Betsy Walton, and APAK Studios (Aaron and Ayumi Piland), going on now at Together Gallery, through the end of the month (and then some).  Blackbirds Breeze Crystal Garden Deep Sea...

I'm not sure what the linking ideological components are in Seth Armstrong's debut solo show at Thinkspace Gallery (6009 Washington Blvd., Culver City, CA), but the pieces certainly share linking feels and color palettes. And if these pieces below are any indication of the caliber...