Emil & Friends’ new EP, Downed Economy, is perhaps best exemplified by its opening track and title track. Although the most upbeat track on the EP, “Downed Economy” shares similarities with the other songs by featuring an...
In no time at all, the Decibel Festival in Seattle has apparently become one of the premier all-things-electronic festivals in the nation. Most electronic music isn’t really my bag; year in, year out, I know maybe one or two of the...
Love them or hate them, Rufio’s brand of Southern California pop-punk is equal parts melody and slick guitar noodling. A majority of their appeal lies heavily on singer Scott Sellers’ ability to convincingly sing about a myriad of topics...
There has been a recent surge of drummer/guitarist combos playing a brash brand of lo-fi rock with punk influences. Throughout all the hype — both positive and negative — these various acts have been garnering across the nation, No Age...
Nuclear Power Pants came off create synth-heavy, spazzy, lo-fi garage rock with an interplay between lethargic male and hi-energy female vocals. It’s certainly entertaining, to a degree, with tracks like “Uh Oh” starting off with...
My experience at Musicfest NW this year went a little less smoothly than usual. There were decisions that needed to be made, and bands that needed to be missed because they played just slightly out of the means of timely transportation (as generally...
One of the best aspects of Musicfest NW is its intimate club settings. Whereas most music festivals are synonymous with enormous outdoor stages designed to fit tens of thousands of people, Portland sticks to its quirky Portland roots and packs...
The album cover for Flying Lotus‘ latest EP, Pattern+Grid World, features a close-up portrait of one of Portland illustrator Theo Ellsworth‘s intricate, feathery characters. With an album title like Pattern+Grid World, Flying Lotus...
