Last month, I came across a music video that Total Enormous Extinct Dinosaurs called, “one of the best music videos I’ve seen in a long time”: a live performance by iFani EWE in the Johannesburg neighborhood of Soweto. Having just...
The character of my fondness for Michael Jackson and Friedrich Nietzsche is very similar. Despite both of these men being extremely influential and leaving behind highly celebrated bodies of work, they are also both often considered tragic cases on...
Montreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
Pure Bathing Culture first full-length record, Moon Tides (Partisan Records), reflect a number of themes of the indie underground like a crystal ball, that are easily missed or ignored with cursory reductive listening. There’s more going on here...
Ghost & Goblin, the macabre-music-making, lo-fi loving, NYC-based team of Nicholas DiMichele and Spencer Synwolt have created SUPERHORRORCASTLELAND, an album filled with noises that go bump in the night -- like fuzzed-out angry electric guitars...
“Pop music shouldn’t always get a bad rap,” says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you on your dancing toes. This month, we rope in a lot of notable artists with new...
One pervy frog man gets down in the music video for Weaves‘ “Motorcycle”, where vaguely sexual lyrics turn into an animated tale of a naughty amphibian’s newfound, crotch-heavy love for his newfound motorcycle. This animated short is the product of...
The 1980s: that decade of shoulder pads and deindustrialization, was to be a decade of neon-coloured clothing, big hair and financial big bangs; a decade when Frankie Goes to Hollywood said “Relax”, and David Bohm proffered that space...
