In a world where our gadgets and devices open us up to an endless stream of novel sounds from around the globe and throughout history, it makes sense that there is sometimes more love and attachment for the machines than the people that made the...
With a Prince-like smoothness, in slides LA Priest on “Occasion”, the album opener for Inji. Without pretension and full of confidence, “Occasion” is immediately arresting — the perfect blend of lip-biting vocals and...
French producer Xavier Thomas, aka Debruit, returns with Outside The Line, an intersection of coldwave, African rhythms, and early ‘80s electro and hip-hop. A deep breath, and then it begins.
“Some boys began to drink beer and whiskey, a few began to smoke marijuana” — so says a voice seemingly beamed in from a middle twentieth century nature documentary on the partying habits of young men. It’s an interesting...
Platform, the second full-length from San Francisco musician, producer, and conceptual artist Holly Herndon, tackles the many confusing, conflicted layers of modern living, in the form of a poppy, accessible dancefloor sound sculpture.
Archival Feedback, the new audio-visual collaboration from Florida's Other Electricities Records straddles the fence between both natural and manufactured environments, as well as people's relations to them. Its origins come from Emile Milgrim and T...
Though it may be poor form, I’m going to start this review with my one unrelenting frustration with Martin Gore’s new solo album MG: every song is just too damn short. Seriously, these tracks are incredible, and they just beg you to get...
Side projects: so many musicians these days seem to have at least one other creative outlet outside their primary endeavor. Whether it's for reasons of inspiration, camaraderie, money, a need to stay busy, or any combination thereof, keeping a...