Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often only viewed on tiny screens...

It's that time of year again: the time where I remind everyone just how rapidly consciousness has been evolving in such an amazingly short period of time. The good news there is that the entire point to technology is to serve art. We'll figure it out eventually. It should be...

No one seems to be able to stop talking about Kendrick Lamar this year, and while we are no different from the rest in that regard, we've naturally made the effort, as usual, to put together an Albums of the Year list that is typically unconventional and probably features quite...

Platform, the second full-length from San Francisco musician, producer, and conceptual artist Holly Herndon, tackles the many confusing, conflicted layers of modern living, in the form of a poppy, accessible dancefloor sound sculpture. ...

With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You'd be well-served to check out every single record here.
Vivian Hua - dance, indie, pop, psychedelic, electronic Troy Micheau - metal, electronic, experimental, ambient Jason Simpson - pop, soul, electronic, ambient Ian King - electronic, ambient, instrumental, pop Peter Woodburn - ambient, metal, garage, indie Judy Nelson - dance, electronic, indie, pop, hip-hop Albums of the Year 2014
tUnE-yArDs - Water Fountain Music Video tUnE-yArDs - Water Fountain Music Video
An appropriate follow-up to our feature on Experimental Music on Children's TV, Nor-Cal powerhouse Merrill Garbus of tUnE-yArDs leads listeners into similar notalgic territories with the music video for "Water Fountain". With the aid of director Joel Kefali, the group explores nostalgic backdrops of children's television shows, incorporating everything from dance routines and 8-bit animations to Peewee's Playhouse-style puppetry and hoaky scientists. In the Q&A below, Kefali speaks to the ease of working with Garbus and company as well as the benefits of mixing media.
tUnE-yArDs - Water Fountain Music Video tUnE-yArDs - Water Fountain Music Video
Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers
Efterklang's latest album, Piramida, is more than just an exercise in songwriting; it is an attempt to connect the creation of an album with a specific location. The site where the band chose to record is a veritable ghost town, an abandoned coal-mining colony still controlled by the Russian company that left it behind in 1998. Situated between the Arctic Circle and the North Pole, the place is empty, bitter cold, and only reachable by boat. Piramida shares its name with this strange place, and the eerie and wonderful sounds collected there ultimately comprised the album's distinctive structural elements.
"You can for sure say that the context directs the music in a certain direction. Songs written on guitars come out different than songs written on pianos. A ghost town is quiet and a perfect place to make recordings. It is a brilliant setting for recording sound." - Rasmus Stolbreg of Efterklang
 
In our 2012 Album Covers of the Year feature, we once again get our hands on everyone we can. Through interviews with designers, musicians, labels, and plenty of others, we take a close look at just how many hands are in the pot when it comes to the album artwork process. Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings or artistic mediums, and then are displayed on spectrums. Get started by navigating into any of these six sections: Geometric & Pattern-Based Classically-Influenced Narrative & Symbolic Photography & Manipulations Painting & Illustration Collage, Sculpture & Mixed Media You can also see last year's at 2011 Year-End Respect For Album Cover Art
 
September 28th, 2012 @ Music Hall of Williamsburg, Brooklyn NY

Niki & The Dove

WRITTEN BY JUDY NELSON With their debut album Instinct recently released in the US, Niki & the Dove were an apt opener for Twin Shadow. Lead singer Malin Dahlström is reminiscent of a modern Cyndi Lauper, while also showing serious deference to fellow Swedish indie star Karin Dreijer of The Knife. Gothic and quirky in the same beat, Dahlström had strong stage presence and a powerful voice to back up what might be construed as overly dramatic dance moves. Keyboardist and guitarist Gustaf Karlöf was a solid but quiet presence, contributing the occasional vocal and any extra instrumentation, ranging from the Maracas to the rarely-seen-live Chinese hand drum, the Bolang Gu (波浪鼓). SEE FULL LIVE SHOW REVIEW