Circuit des Yeux’s performances are like a guided tour through several decades of psychedelia; cherry-picked moments of visionary art rock, viewed through a classy romantic noir cabaret lens...
Read onIn a universe consisting of four percent matter and ninety-six percent negative space, absence is the dominant substance. With the right frame of mind, a void can be an endless possibility. Disappears’ fifth album pounds that clay into a sonic...
What’s in a name? When they say Adult Jazz, are they referring to the easy-listening, dulcet sounds of Chuck Mangione or Kenny G? A brief observation of the knotty tones and convoluted song structures of Gist Is, the debut LP from the Leeds...
The information boom of the last 15 years has given people a thirst for crate digging. What started on illicit pirate blogs has blossomed into a healthy industry of re-issue labels, and still, the race is on, to find the dustiest, mustiest rarity...
One pervy frog man gets down in the music video for Weaves‘ “Motorcycle”, where vaguely sexual lyrics turn into an animated tale of a naughty amphibian’s newfound, crotch-heavy love for his newfound motorcycle. This animated short is the product of...
FIELDED Ninety Thirty Thirty Captcha Records When composing her second album, Lindsey Anne Powell of FIELDED wanted to make vocals the star, while getting back in touch with her “deepest love for Pop music”. In Ninety Thirty Thirty, the...
It has been a decade since Godspeed You! Black Emperor released Yanqui U.X.O., and since then the musical landscape has changed quite a bit. As a new generation of music lovers have grown up with the concept that music is free, and the people making...
A post critiquing two female-fronted, genre-hopping experimental bands — and exaggerations. YAMANTAKA // SONIC TITAN Pitchfork describes YAMANTAKA // SONIC TITAN as “psych-opera.” Press point yarn. This is not psych-opera, dudes;...