Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often...

Using the multi-venue model to spread musicians, films, art, and “innovation” throughout Brookyln, one might argue that Northside Festival is one of the most exciting festivals currently running in the United States. As it expands every year, it has yet to compromise its musical lineup...

The genius of Fuck Buttons has always been the duo's ability to put sounds on loop -- of creating and finding the nuances of that loop, while at the same time redlining the amplifiers into a moving wall of distortion. So when Benjamin John Power, one half of Fuck Buttons, decided to try his hand at a solo electronic effort under the moniker of Blanck Mass, the results were expected to be relatively the same. Less blatant dance music, more deep thoughts.

Going in with that mentality isn't doing Power any favors. The self-titled release is less Fuck Buttons noise and more a focus on the atmospheric qualities of his original group. The album opens with "Sifted Gold", a song that has waves of slight distorted electronics fading in and out, ebbing like the tide, with the actual sound of the tide in the background. Blanck Mass is harkening back to the originals of the ambient wave, more Eno than recent forays into distortion-driven music. While some songs like "Sundowner" and "Land Disasters" rely on distortion, the peak of the song never comes at the drop of a grand crescendo. Like most ambient songs, most of the songs never really peak on Blanck Mass, but that isn't to say that they are boring at all.

Listen to "Land Disasters" - DOWNLOAD MP3