"[The] purpose of my glitch art isn't to destroy my photographs, but to expose the mechanisms beneath the surface, to turn an image inside out and expose its entrails, to invite viewers to immerse themselves in this seemingly undecipherable space, to find reconstituted forms, the ghosts of an image, or...
Get your heads spinning with these tracks from Brazil's girl-pop-rap group, Pearls Negras, who have a new Biggie Apple mixtape out now for your consumable pleasure. Somehow the nitty-gritty of these jams, their harsh Portuguese delivery, and the fact that these bitchez be from the super real streets of Rio blows this shit out of the water even more explosively than any potential English counterparts. Incredible, in the best of ways, and if the heavy beats and mad lip service aren't convincing enough, check them out in the booty shorts and spandex-heavy music video for "Pensando em Você" ("Thinking About You"), which is also translated below. (PS - Don't be too thrown off by the halfway-point pop song in the mixtape; they're probably just showing you they're more than just one trick ponies, in true K-Pop fashion.)
What communicative force lies behind the deliberate disfiguration of a photograph? What discourse would otherwise remain mute in original form, were it not liberated through ruin? Brazilian artist and architect Lucas Simões explores topographic aesthetics in fragmented portraiture through his papercut series desretratos ("unportraits") .
Overwhelming the voices of intimate friends as they narrated their suppressed secrets, music subtly informed the ambiance of Simões' imagery, but the most significant power of influence was the character of each portrayed individual. Simões slices the temporality of scenes in a person's life, solidifying within one image a progression of time and its evolving lyricism. Within the physical evidence of a single instance, Simões nonetheless relates a series of intensely personal moments. His experiments allude to the inherent capacity of deconstruction as a medium for transcendent visualization.
"In this series of works, I invited intimate friends over to tell me a secret as I took their portrait. However, my intention was not to hear their secret, but to capture the expressions of each one at the moment they revealed their secret. I also asked each one to choose a song for me to listen to in my earphones while I photographed them. And, after the photo session, I asked each one if the secret had a color, and these are the colors the portraits carry. From this photo shooting session, I chose 10 different portraits to cut and overlap." - Lucas Simões
Elements of familiarity -- the curling of a rogue nostril, the glimmer of an irregular tooth, a pupil preserved -- reveal themselves in an otherwise unidentifiable mass of un-face. Adding an intimacy to the dynamics of photographic process, the relationships between Simões and his friends provide yet another palette of interpretations to a multidimensional portraiture.
"A nice relationship is when it's full of will to know the other, knowing that you will never discover enough of the other," reflects Simões. "A good relationship keeps its mystery and that is what these portraits represent: mysteries."
Defined by Merriam-Webster as, "The attainment of prominence, respectability, recognition, or maturity," "coming-of-age" is widely considered a point in every young person's life when they walk the precarious edge between being a child and being an adult member of their community. This edge might be magnified by any number of given plot turns – be it a forced exile, an unexpected abandonment, or the opportunity to fight for something of great importance; in the feature directorial debuts, La Sirga by William Vega, They'll Come Back by Marcelo Lordello and Tall As The Baobab Tree by Jeremy Teicher, the coming-of-age narrative is central, poignant and profound.
Vega, Lordello and Teicher not only tend to their subjects with compassion and intimacy, they also experiment with the artform, making strong and inventive choices in sound design, cinematography and narrative format. These powerful representations of the coming-of-age experience are set amidst different cultural contexts, yet all focus intently on the heroine, allowing specific cultural norms to be digested seamlessly while providing a rich and intriguing backdrop for each protagonist. All three films explore, in different ways, a sense of muted grief and desperation that meditates on the potential emotional reverb of lost innocence.
All director interviews and film screenings were facilitated with the aid of the San Francisco International Film Festival 2013.
Due the unfortunate fact that we are merely human and Seattle International Film Festival (SIFF) is just beginning its three-week film rampage, we've sifted through the Festival's gigantic catalog to come up with the best films of the bunch -- or so we suspect. SIFF is annually guaranteed to have a mixture of some of the best and worst films that one can see -- and these film recommendations come from the minds of three REDEFINE writers with good intentions. Yet at best, these selections are our most educated hypotheses, determined from a mixture of film industry knowledge and intuitions based on trailers.
Below, we've grouped our selections for 2013 by world region.
Stay tuned in the weeks to come, as we offer updates throughout the festival's progression, with general thumbs up and thumbs down summaries of the films we will painfully and enjoyably slog and float through, as well as one-off full-length reviews. Happy SIFFing!
In its third year, Culture Collide Festival will be welcoming 63 artists from 25 countries to Los Angeles in the span of four days. Other than SXSW, there are very few festivals that consciously provide such an international scope of the indie music scene. And considering how common it is for international bands to come across visa issues, Culture Collide takes on an admirable task in the name of global harmony. The nice thing about the festival is that most artists schedule more than one show during those four days. So while you may stick to the big names for one night, you'll have plenty of opportunities to take a chance on a few unknowns that hail from a country across the globe.
SEE ALL 14 FESTIVAL PICKS
of Montreal (USA)
Saturday, October 6 - 12:00am @ The Echoplex
Sunday, October 7th - 8:00pm @ The Main Stage
It's pretty impossible to not have fun at an of Montreal show. This group is kooky with a whirlwind of pop, psychedelia, electro, and glam. And with six members, it's always a party on stage. There will probably be some costumes too, so just embrace it, don't ask questions. of Montreal have recently have recently released Daughter of Cloud, a compilation of 17 of Montreal recordings from the time of their Hissing Fauna, Are You the Destroyer? era to the present. The track "Hindlopp Stat" from the album is below, along with the tripped-out music video for "Spiteful Intervention", from Paralytic Stalks.
Bonde do Rolê (Brazil)
Sunday, October 7 - 5:30pm @ The Main Stage
Even if you don't understand Portuguese, Bonde do Rolê are so worth your time. Heavily hyped by Diplo, the trio is always out to start a sweaty dance party and is known for singing about having a crazy good time. The group features a female and male MC who roll quick lyrics over club beats that you'd hear in the US and a type of Brazilian dance music called funk carioca. Just remember, it gets pretty sweltering on the other side of the equator.
SEE ALSO: Bonde Do Role + DIPLO + BRAZILIAN ARTISTS & MUSICIANS
I'm not sure what it is about our nature that makes us constantly want to mutilate faces -- and maybe that is just the simplest explanation for all of our recent zombie activity -- but sometimes there's just nothing more carnally fulfilling than running paper faces under an acid bath of collage, painting, mixed media, whatever. Brazilian artist Lucas Simões burns photographic portraits, to give them such personality that their remains sometimes come across as grotesque three-headed beasts (ausência series) and sometimes remind us of sparking memories of the past (quem brinca com fogo series). It takes skills to draw such diversity from such a simple and carnal concept, and for it to evoke such a suprising range of emotions, including sadness, fear, and compassion.
The 2012 Seattle International Film Festival begins on May 17th, 2012! In the next few days, we will be providing film previews for our top SIFF picks of the year. Times and dates are subject to change, so please visit siff.net before heading to theatres, or see HERE for all film preview coverage, including film selections from other regions of the world.
Directed by Julia Murat
A youthful photographer decides to open up her eyes and mind to the stories of older individuals in a small Brazilian town, giving new perspectives on life and death.
May 22 @ 9:00pm, Harvard Exit
May 24 @ 3:30pm, SIFF Cinema Uptown
Multicultural Sounds travels the world for contemporary reinventions of cultural staples. This post is a miniature celebration of a couple of globe-trotting musician and producer Diplo's latest works.
Bonde do Rolê
Turning genre-mashing into a gun-slinging festivity of high delights are the theatrical Bonde do Rolê, who have a new album coming out later this summer on Mad Decent. Come June 26th, the world shall see Diplo's production chops at work on Tropicalbacanal, which will also be fucking bananas in terms of guest starrage: Caetano Veloso, Das Racist, The Death Set, and plenty of others help the band usher in what the press release describes as "the fresh wave of avalanche tropical (the bossa nova of modern Brazil)."
Continued below, another Diplo special, in the form of beats on "Knock Out" featuring South Korea's G-Dragon and TOP, from the boy bad Big Bang.
Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to pick what we have determined to be the best and most interesting of the bunch.
Portland International Film Festival 2012 runs from February 9th through the 25th,...