I'm a sucker for diverse bills on shows. I know less musically inclined or adventurous individuals take comfort in seeing the acts that they know, but I have always found that some of my favorite bands are the ones I was completely not expecting to see live. If anything, seeing different styles keeps concert-going fresh. That is why when A Place to Bury Strangers and This Will Destroy You AND Dusted came to town I declared it the best show of June. In no way was my excited ultimatum of fantasticness off from the truth.

 

June 11th, 2012 @ The Crocordile in Seattle, WA

Dusted

Dusted is the new solo project from Brian Borcherdt from Holy Fuck. It is a lo-fi project that is as far away from Holy Fuck's electronica driven dance beats as possible. Setting up under a fuzzy wash of light guitar droning, Borcherdt played a set of songs off of the new debut album Total Dust. Some songs were a little bit forgettable, but when Dusted was going, especially on songs "(Into the) Atmopshere" and "Dusted", the band was a grand surprise as the opener.

 

At this moment, your mind is receiving stimuli that defines the space around you. Infinite waves of molecular interactions are coursing through your body, separating isness from notness, being from perception, object from space; determining the contours of your physical and mental limits while daring you to shatter them. Space is your space, the loop from your mind to subject and back. There is room for much confusion here due to latency -- the time it takes to complete the loop -- but there is also room for exploration, for realization, and for creation. How we fill the space is up to us. The opportunity a wonderful gift which can be made even more powerful when we share it with other people -- when we bottle the loop so that others can trace its orbit. We do this through every creative act, and yet, some are more obvious than others. Architecture, for example, or sculpture, but what about words? What about music? There are sounds that define and create spaces that feel more real than those confirmed by visual or physical cues. These are the sounds that characterize the music of both Sun Araw, M. Geddes Gengras, and The Congos. All three artists are prone to constructing material hallucinations from sonic vibrations. And now, in 2012, we have Icon Give Thank, a record combining Sun Araw's desert acid zones with The Congos' Kingston temples into one heroic dose. Cameron Stallones of Sun Araw, Geddes Gengras, Ashanti Roy of The Congos, and director Tony Lowe all chime in on this interview, to offer a glimpse into the divergent cultural and creative worlds that intersected in the creation of a final record and short film product.

Sun Araw

"Crete" from Ancient Romans

M. Geddes Gengras

April 2012 Tour Set

The Congos

"Fisherman" From Heart Of The Congos

 

"Pop music shouldn't always get a bad rap," says Top Pops!, a recurring selection of pop music highlights across a selection of styles. A bit more straight-forward indie rock this time than usual.

Slam Donahue

With their latest offering to the internet masses, their Big House Nice Dreams mixtape, Slam Donahue sound a bit like all of their posi Cantora Records counterparts (MGMT, Bear Hands, Emil & Friends), minus the polish. These guys are absolutely bursting with personality through their lo-fi pop jams, with so much bounce in their musical step they might shake themselves into having some sort of complex. Feed that pop-loving juvenile left in you with Slam Donahue! They'll scream their way into your heart with absolute disregard for adhering to one convention. Their Hemlock Tea EP comes out August 21st.

 

Clipd Beaks

Oakland's bringers of psych-jazz-drone are back! Freshly disconnected with the mostly obsolete Lovepump United, Clipd Beaks have just self-released WAKE, a six-track sampling of long-forgotten works they've recently dusted off for your listening pleasure. Album single, "All The Way Evil," which you can download above, recalls both a nighttime drive through winding dark canyons and an intense oceanic quest filled with sea monsters. Sound appealing? Get into the zone and stream the entire album below!

SPECTRAL HYPNOSIS A recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. Orcas - Orcas Two Pacific Northwest musicians -- electronic-minded singer-songwriter Benoit Pioulard and minimal composer Rafael Anton Irisarri (of The Sight Below) -- have gotten together for the...

Remember in grade school when there would be those school-wide hearing and vision test days? Gauntlet Hair is sort of like that, except the exact opposite. Instead of trying to identify soft beeps, you're assaulted with some of the nosiest, most distorted guitar tracks I've...

"Our overall album art concept is simple ~ each individual album has different art that’s unique and only YOU have it. So if we’ve given out thousands of these things, then that means we’ve made over 1000 different art pieces, and those different people are...

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion, Sculpture, Installation _____________________________    91 Album Covers For 2011 Best Of 2011 Album Cover Art

"Eery. Melancholic."
Dum Dum Girls - Only In Dreams
Art director Jeff Kleinsmith and photographer Shawn Brackbill capture the shadowy residue of an out-of-body experience.
QUOTES FROM: JEFF KLEINSMITH, ART DIRECTOR THEMES & CONCEPTS "Dee Dee from the band... had a very specific idea in mind, but I feel like it isn't my place to speak for her on this." CREATIVE PROCESS "There is a phenomenon called astral projection or astral travel which is the idea that there are two bodies - an astral body and a physical body, and there are some who believe that the astral body can travel outside of the physical one. There are some pretty famous photos depicting the astral body leaving the physical body, and Dee Dee wanted to make her own version with herself as the subject. Again, she would know better than I what this particular imagery means to her. Well, I LOVE the image. It is one of the most interesting images I've worked with in a long time. That's not exactly some high-minded insight, but it's how I feel about the image. Dee Dee never told me if it has personal meaning to her. I know she was going through some things, so it's possible that the image is directly related to that." THE EXTRAS "Tthe only thing to mention is the silver foil stamp on the front and back and maybe the old-style packaging. I'm referring to when LPs were first made, they were actually raw cardboard which was cover by a thin printed paper skin -- as opposed to printing directly on the cardboard. Most modern packaging is done this way, and this piece was done in the old style. Also, there is a 22" x 22" foldout poster inside along with a snazzy CD dust sleeve." Record Label Sub Pop Records The Artists Art Direction & Design - Dee Dee & Jeff Kleinsmith Photography - Shawn Brackbill Mediums & Materials Photography, Postcard, Computers

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion, Sculpture, Installation _____________________________    91 Album Covers For 2011 Best Of 2011 Album Cover Art

Apteka - Gargoyle Days
Despite never having met one another, Portland designer Dylan McConnell and Chicago's Apteka have grown a well-fitting artistic relationship through the years. McConnell's album cover for Gargoyle Days may be their most gripping collaboration yet.

QUOTES FROM: DYLAN MCCONNELL, DESIGNER ADAM LUCAS, APTEKA'S GUITARIST AND VOCALIST THEMES & CONCEPTS "We had worked with a sorta paranoid, dark op-art theme in the past for posters and albums (with a brief interlude of lopping off girls' heads). High contrast and fluid -- that's what I was going for." - Dylan McConnell COLLABORATION "We've been working with Dylan pretty much since the band formed. He's done all our cover art, and most all of our show posters so far. Things clicked from the beginning. He just has a knack of taking what we're doing musically and expressing it in a visual way. The funniest part is that we've never really met. He lives in Portland, and we're in Chicago. A mutual friend turned us on to him, but we've never had the chance to meet in person. It's all been through email. Which is kind of a weird way to communicate artistic intentions, but somehow it works, and he’s become this mysterious fifth member of the group." - Adam Lucas Record Label Carpark Records The Artists Design - Dylan McConnell Mediums & Materials Collage, Digital, Typography (hand-drawn)