Here is a quick summary of GOAT, and the story is meant to be taken with as many grains of salt as possible. GOAT originally hail from Korpilombo, Sweden, from a community that has a history of voodoo worship. At various times, the incarnation of GOAT has lived on for 30 or 40 years amongst members of this village, and now, the current incarnation of GOAT contains three members from Korpilombo, augmented by a few folks from Gothenburg. All bands need good stories, and GOAT’s is one of the better ones. A quick Google search of Korpilombo and voodoo yields nothing but GOAT-related results. Combine this wonky backstory with the fact that live, the members of GOAT all wear cloaks and masks and operate in a shroud of mystery, and it is enough to be almost too much of a schtick. But what makes the tradition of GOAT work is that the band doesn’t let this aura undermine the music.

The Pacific Northwest's premiere music festival, Decibel Festival 2013, has come and gone, with another half-week stint of dream electronic music lineups for all. The type of festival that non-Seattle music lovers drool over and Seattle music lovers take amazing late-night advantage of, Decibel has come a long way in the ten years since its inception... and with this review, we celebrate the best of year 10's acts, which include a party sounds by JETS, the collaboration between Jimmy Edgar and Machinedrum, Machinedrum's visually-entrancing new live show, neo-classical-meets-electronic composer Nils Frahm, and goofy electronic pioneers, The Orb.
Photography by Lizzy Eve

JETS = Machinedrum & Jimmy Edgar

It can be a bit surprising how successful after-parties at Decibel Festival are -- especially considering they always begin at 2:30am, and sometimes on weekday nights. Thursday evening (or Friday morning at 3:30am, if you wanted to get all technical about it) was JETS' headlining slot at the Leisure System Afterparty, and it was my most anticipated show of Decibel Festival 2013. Still, I didn't really know what to expect from the duo, comprised of Machinedrum and Jimmy Edgar, since JETS is a relatively new project and the amount of material they have out in the world is quite tiny. I knew from their dearth of recordings that they know how to make bangin' party music and that they at least somewhat have metaphysical interests -- but it was only after seeing them perform at Neumo's that the tie between the two seemingly disparate elements actually began to make sense. JETS create a whipped-up blend of DJ sensibilities for the complex listener -- but their adept copiloting of an atmosphere filled with entrancing sonic trickeries also makes them appealing for the complex dancer. Upon first taking the stage, JETS reminded me of futuresonic explorers in electronic hyperspace, and I nearly expected the mixer that both Machinedrum and Jimmy Edgar laid their hands upon to turn into a brightly-colored glowing orb. Well, it didn't, and the sci-fi sounds soon faded, but what they gave way to was a challenging set that remained in a constant state of transition. Beats shifted again and again at perfectly-timed yet completely unpredictable intervals, and even better were the moments where JETS dropped down low -- sometimes obviously and sometimes almost imperceptibly. While beats continued, repeating vocal samples would brew up from beneath, bubbling up through otherwise dense layers of sound, in the form of subtle mind suggestion cues telling you to "dance", or some variation of the same. Such is a subconscious trick that JETS have mastered, with effects that one might not even notice immediately. When I go to electronic shows, I sometimes get bored of my own dance moves because the music remains so static -- or conversely, because the music changes with such a jitter that it loses momentum or leads to abrupt transitions between dance styles. Not so with JETS... and this, coupled with the sly vocal mind-control mechanism previously described, may be the most successful aspects of their approach. They are seamlessly dynamic -- to a point where it almost hurts because it is so good, and you're so tired, but you just can't stop dancing. The way in which JETS can inspire a melting away of a crowd, leaving only the purity of sound -- made their set godamn transcendent -- and that is not an adjective I use lightly. - Vivian Hua

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