As it is every year around this time of year, the music party that needs no introduction is upon us. For SXSW 2013, in addition to our own annual psych and dance-oriented house party (this year's is called FEEL YOU and comes with a handy-dandy mixtape), we've gone through and written up our top picks for official bands as well as our top unofficial showcases! Read on!
Youth Lagoon Trevor Powers' vocals remind me of Daniel Johnson both the physical sound and the earnest lyrics. Then he takes these simple melodies and opens them up inside lush, shimmering layers of live and electronic instruments. RACHEL HAYS
--- YOUTH LAGOON - WONDROUS BUGHOUSE ALBUM REVIEW 03/13 - 10:40pm @ Stubb's (NPR Showcase) 03/14 - 5:00pm @ 1100 Warehouse (Pitchfork Party) 03/15 - 4:00pm @ Hype Hotel (Stereogum Range Life) 03/15 - 5:30pm @ Red Eyed Fly (After the Gold Rush) 03/15 - 12:00am @ Club de Ville (Paradigm Showcase)

 

Poolside The band basically spells out relaxation with their name choice. Their music videos and album art reiterate that fact; the video for their song "Slow Down" is perfectly California cool. - JUDY NELSON
--- POOLSIDE FESTIVAL LIVE SHOW REVIEW MON, MAR 11 - 8:00pm @ The Mohawk (Transmission Entertainment Showcase, 912 Red River) MAR 13 - 5:20pm @ Cheer Up Charlie's (Spaceland Showcase, 1104 E 6th St.) MAR 13 - 9:30pm @ The Tap Room (School Night Showcase) MAR 13 - 1:30am @ Red 7 (Windish Showcase, 611 East 7th St.) MAR 14 - 1:35pm @ Flamingo Cantina (Under The Radar Showcase, 515 E 6th St.) MAR 14 - 6:00pm @ Sonos House (606 E 3rd St.) MAR 15 - 4:00pm @ Red Eyed Fly (Another Planet Entertainment Showcase) MAR 16 - 4:00pm @ Lustre Pearl (97 Rainey St.)

 

Flying Lotus Years ago, I was at SXSW and dying from crippling food poisoning. I was at the Warp Records showcase, more or less ready to die, when Flying Lotus took the stage and revived me. One-man electronic shows aren't always compelling, but with his tricked out beats, spastic visuals, and just general mythology, Flying Lotus is one of the best electronic solo acts to see. VIVIAN HUA
03/12 - 12:00am @ AMOA Arthouse at Jones Center (Plus an unannounced surprise performance!)

 

Perhaps more so than the general populace, artists are able to find beauty and inspiration in the chaos of entropy. Gala Bent is a Seattle artist who uses gouache and graphite to explore the gracefully inevitable failure of enforced order. Bent's compositions play with the tension between clearly delineated geometric abstraction and sinuously free form pattern fields. Her visual images are so direct that it's possible to read them on a visceral level while entirely missing the wellspring of references that rest beneath the surface of her meticulously rendered drawings. But it would be doing Bent an enormous injustice to not look deeper.
There is a deceptive simplicity to Bent's drawings, and at first glance, their sense of whimsy overshadows their underbelly of methodical research. Bent thinks very deliberately about her place in the world, and this sense of inquiry carries over in a very literal way to the precision of her compositions. "I like things that I respond to in a physical, aesthetic way," she explains to me. "But as a person, I just really love to dig and dig and dig... I like it when there's a whole series of layers underneath." After a brief miscommunication over directions that leads to a rather informative exploratory bicycle mission of the alleyways around Qwest Field, we meet in the high-ceilinged Pioneer Square studio that Bent shares with her husband, fellow artist Zack Bent. Bent and her husband create in different mediums, but she explains that they work together in that they are one another's biggest critic and advocate, and that their strengths and weaknesses are staggered in complimentary ways. The artist couple has three young sons, so their lives involve a great deal of juggling between creative and family lives. Their paintings and sculptures stand in easy dialogue on separate ends of the room. "We are both concerned with the architectural," she tells me, gesturing towards the stacks of life-sized Lincoln Logs that rest on Zack's side of the studio. Bent's compositions tend to focus on the interplay between angular and organic forms. Her drawings at times resemble tornadoes – densely clustered masses of line and plane that gradually open into light colored washes or entirely empty space. "I very much idealize geometric abstraction," Bent tells me, adding that her appreciation of the geometric has deepened over the years until she has come to see it as almost "a romantic ideal." She sees the "furry" portions of her works as representing the more human, realistic side of life, the "faltering part... where everything cracks or falls apart." Bent describes this idea in greater detail on her blog, writing that she is "fascinated by the idealistic glory of the philosophy of architecture, especially when it is brought into real space and has to sustain itself against the degrading process of time and use. The most fancy buildings still leak and peel. People still have to deposit their raw sewage inside them, and weather delivers continual erosion to their shells." ARTICLE CONTINUED BELOW (ABOVE) I Am Focusing All My Attention, 2010; (BELOW) I Am Focusing All My Attention Detail, 2010 - G. Gibson Gallery Paper Architecture: Reflecting Pool (I Smell Like Myself), 2011 - G. Gibson Gallery

Animalistic, ritualistic romp with Nick Cave, entitled Meet Me At The Center Of The Earth -- going on from now through June 5th, 2011. You'd be a fool not to. ...

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Frog Eyes have been chugging away at the indie music game for almost 10 years, and have crafted such an interesting blend of alt-punk-folk that it's hard to not see their influence everywhere. From bands like Wolf Parade, Handsome Furs and The Mountain Goats, to contemporaries like Silver Jews and...

That Zulich only has a couple years of photography experience under his belt seems improbable, but what's even more striking is that it is proof that experience isn't always everything. Zulich's images are proof of his ability to push the bounds of innovation, and the result is a body...