Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often only viewed on tiny screens...

No one seems to be able to stop talking about Kendrick Lamar this year, and while we are no different from the rest in that regard, we've naturally made the effort, as usual, to put together an Albums of the Year list that is typically unconventional and probably features quite...

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.
Kevin Martin has been at the forefront -- and the margins -- of extreme electronic music and bass culture for over two decades. He's worked in genres as diverse as jazzcore, industrial, grime, dub, and dubstep, while staying rooted in the punk/post-punk ethos, making some of the most adventurous and aggressive music across a staggering array of monikers, pseudonyms, and collaborations.The Bug - Kevin Martin Musician InterviewWith this year's Angels & Devils, the highly anticipated follow-up to 2008's London Zoo, Kevin Martin has resurrected one of his most beloved and influential projects, The Bug. London Zoo employed an arsenal of extreme bass weight, grime-y urban vocals, and abstract sci-fi electronic to reflect the paranoid, claustrophobic world of CCTV London, and the album caught the attention of the wider world at a time when the simulacrum of the internet and social media was really building a head of steam. This brought Kevin Martin's dystopian worldview to a wider audience than ever before, right in the midst of the dubstep explosion. While the rest of the world was busy subverting dubstep's militaristic potential into a formulaic commodity, The Bug sounded fresh, distinctive, weird, warped, and wonderful. As electronic music has become increasingly codified and quantifiable in the mainstream, this placed Kevin Martin in a precarious position and raised the question: just how would he build the follow-up to London Zoo?

 

2010 has come and gone, leaving in its wake a magnitude of amazing album artwork. This year, we decided to speak directly with the forces behind the album artwork about creative processes and inspirations. A massive feature with over 90 interviews with musicians and artists....