With Opposing Forces, Seattle choreographer Amy O'Neal, who is equally well-versed in hip-hop and contemporary dance, has coordinated a clever study of gender roles, by intimately exploring "femininity" through the eyes of five male breakdancers who...
Set almost exclusively in a tiny courtroom, Gett: The Trial of Viviane Amsalem, is an Israeli-French film about a couple’s lengthy battle for divorce. Simple from its get-go, the film’s major strengths lie in its tense appeal and...
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the...
Liars’ 2012 full-length, WIXIW, dwelled in doubt and anxiety, pressed against a curtain of murky fragility. Even if one only looks at the cover art for the band’s latest follow-up, Mess — a robust mass of multihued string that looks like the Love...
"The original concept was that the music video would become almost like an art film. Something powerful, dramatic and theatrical, drawing on my research into psychoanalytical theories revolving around the origins of desire, sexuality and power...
Imagine the possibilities of world revolution – an upheaval of design, and distribution of resources lighting the path to global peace and (relative) happiness. The largesse of this task is daunting, and has throughout history been commandeered by a...
At the start, I am paired with a stranger. We are the only two participants for this iteration of the piece. An assistant equips each of us with headphones and an iPod Nano. We follow her up Multnomah County Central Library’s grand staircase. She...
Andrew Dickson is neither licensed nor experienced as a life coach. He simply believes that no one is broken or requires fixing; everyone just needs a little help to bring their own answers out. He encourages us to see the life coaching process as a...