"Pop music shouldn't always get a bad rap," says Top Pops!, a recurring selection of pop music highlights across a selection of styles. Brooklyn sister duo Prince Rama return with one of their boldest and most well-formulated conceptual spins on their own music yet with their latest record, Top Ten Hits Of The End Of The World. This post samples some tracks and goes into details about the bands and backstories they've invented, their Kickstarter-funded DIY film, their "So Destroyed" dance contest, and a shared recording with Sun Araw. SEE: FULL POST + ALL TOP POP COLUMNS + ALL MUSIC COLUMNS

 

Top Ten Hits For The End Of The World Tracks & Backstories

Prince Rama have long been about chasing the conceptual with their multimedia-encompassing theatrics, but their latest idea, Top Ten Hits For The End Of The World, takes our collective 2012 fascination with the apocalypse and turns it into a most playful collection of pop hits. In my opinion, this record, which is comprised of ten tracks from ten fictional bands -- all of which have extensive back stories crafted by the girls themselves -- is the duo's strongest to date. With Ariel Pink lo-fi vibes but with collation of genres both fictional and invented ("cosmic disco", "motorcycle rock", and "ghost-modern glam", to name a few), the model of Top Ten Hits... frees the girls from the binds of expectation and allows the to run free on all fronts. Rage Peace - "So Destroyed" (as channeled by Prince Rama) For the album's first single, Prince Rama took on the nihilistic protest band Rage Peace's violent-turned-pop songs. According to the press release, "Rage Peace formed as a small protest band in the early 90s and before they knew it they were the Bob Dylans of a whole generation of angry youth. They became founding members of the Rage Peace movement, based on the principle of nihilism as the only true order, and wrote songs with violent messages placed in seemingly saccharine pop structures. The band was notorious for staging organized acts of violence and destruction, burning cars and sometimes buildings in the name of chaos. When the end came, their bodies were found locked inside a limousine they had set on fire. The license plate read 'HEY U'."

 

At this moment, your mind is receiving stimuli that defines the space around you. Infinite waves of molecular interactions are coursing through your body, separating isness from notness, being from perception, object from space; determining the contours of your physical and mental limits while daring you to shatter them. Space is your space, the loop from your mind to subject and back. There is room for much confusion here due to latency -- the time it takes to complete the loop -- but there is also room for exploration, for realization, and for creation. How we fill the space is up to us. The opportunity a wonderful gift which can be made even more powerful when we share it with other people -- when we bottle the loop so that others can trace its orbit. We do this through every creative act, and yet, some are more obvious than others. Architecture, for example, or sculpture, but what about words? What about music? There are sounds that define and create spaces that feel more real than those confirmed by visual or physical cues. These are the sounds that characterize the music of both Sun Araw, M. Geddes Gengras, and The Congos. All three artists are prone to constructing material hallucinations from sonic vibrations. And now, in 2012, we have Icon Give Thank, a record combining Sun Araw's desert acid zones with The Congos' Kingston temples into one heroic dose. Cameron Stallones of Sun Araw, Geddes Gengras, Ashanti Roy of The Congos, and director Tony Lowe all chime in on this interview, to offer a glimpse into the divergent cultural and creative worlds that intersected in the creation of a final record and short film product.

Sun Araw

"Crete" from Ancient Romans

M. Geddes Gengras

April 2012 Tour Set

The Congos

"Fisherman" From Heart Of The Congos

 

This post highlights some of our favorite multi-disciplinary arts events (centered mainly around music) coming up from like-minded co-conspirators in Seattle, Portland, and Los Angeles. More events for the next post, including two installments of REDEFINE's Intuitive Navigation in Seattle and Portland (see last year's HERE), and Seattle's ambient music festival Substrata.


Signify, Sanctify, Believe

Portland, Oregon Presented by Xhurch and Open Engagement Multiple days - FREE A traveling troupe of performance art semi-spiritualists, Sanctify, Signify, Believe, are now on the road to conduct a series of head-scratching events that will leave you wondering about your connection to the spiritual world and religion. The party kicks off May 15th @ 1:00pm at repurposed church venue Xhurch, with an open house and healing service that runs until 4:00pm. Other events taking course throughout the week, until May 20th, include plenty of lectures, performances, musical acts, and REDEFINE involvement in the form of Prince Rama-inspired Now Age tracts for the group's Library Of Sacred Technologies.

 

See complete list of Sanctify, Signify, Believe events

 

A 23-track mixtape to celebrate two unofficial SXSW showcases taking place the same evening in 2012, designed to facilitate inner and outer harmony through dance rhythms and psyche-altering compositions....