By the time I enter the spacious warehouse in Red Hook, Brooklyn, Danish-Kenyan movement artist Phyllis Akinyi has already begun her performance. I hear her before I see her. A repeating loop plays...
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Rana SanA heavy cut of fresh meat hangs suspended over the abdomen, the artist’s own body bare against the blue cold of a wall. Her abrupt movements cause ripples in the flesh of the meat. From where the viewer sits, the female body, nearly...