Cultura De Base Street Art Protest in Barcelona

A week and a half ago, I was in Barcelona and stumbled a protest that seemed well-organized and was immediately engaging. With my limited Spanish, I managed to pick up slogans like, “Beauty is not for sale,” and “Barcelona is dead.” It became immediately obvious that the protest was politically and artfully-motivated.

From an outside perspective, those statements seem extreme, especially considering Barcelona is known for its street art. Street art radiates practically from every corner of the city, and I’m not just talking meaningless little tags here and there. Barcelona is a storehouse of graffiti and street art pieces that actually look as though they took time, passion, commitment, and energy.

What then, caused this outpouring of anger from the art community of Barcelona?

Not many people in Spain speak English that well, so after an hour of standing around wondering, I finally decided to try my luck and ask around. In Spanish, I was told something along the lines of this. The protest stemmed from police actions that resulted in the closing of art spaces in a nearby neighborhood. The closed spaces were important hubs for musicians and artists alike, and as a result, the artistic community felt patronized and felt that bureaucratic decisions involving their livelihoods were being made without their input.

People of all ages participated in the peaceful protest, which was artistic in and of itself. A giant banner was unfurled on which visitors were allowed to scrawl their opinions. A booth tacked with, “Take off your pants!” encouraged visitors to defy the norm and take Polaroids of themselves naked.

It is only in a city like Barcelona with such a lively street art scene that such a demonstration can happen. While I cannot fully grasp the ramifications of all this bureaucracy on the Barcelona art community, I sincerely hope that it emerges from this better than before.

If you can read Spanish, head on over to culturadebase.net to find out more information about this movement. If you know more information about Cultura De Base, please share your knowledge. Thanks!

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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