The film-this-band-in-a-room music video aesthetic has grown tired through the years, and it’s rare to find a garage rock video these days that can hold much attention. Leave it to the Scandinavians, who’ve been blowing up the music scene lately. The unpredictability in this video for “Yeah Yeah Yeah” captures the band’s infectious live energy and features some pretty cool tricks by the band’s frontman, David Boyd. It rather convinces me to check them out the next time they roll through my town, anyway.
Vee Hua 華婷婷
Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.
Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.
Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.View all articles
On her latest EP, Nine Spells, Berlin-based Italian artist Jolanda Moletta has crafted invocations which are dedicated to nine of her female ancestors, as well as herself as a child. The vocal-only record is devoid of specific words — yet it...