Natalya Hughes‘ current series of works feel subtractive — as though she is actively painting out important portions of existing paintings as opposed to building off of nothing. Hughes always manages to capture a good sense of abstract shape through the use of negative space, and the images below seem to utilize prints of figures in traditional Japanese garb to Hughes’ benefit. The results contain what look like weird, residual phantoms.
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With 28,900 butts in seats for 33 feature films and 25 shorts, the 20th edition of True/False celebrated independent non-fiction filmmaking from March 2th to 5th, 2023, in Columbia, Missouri. Some of our can’t-miss film picks are as follows;...
Written by
Tessa Hulls
Saelyx Finna
Katharina Brinschwitz
Vee Hua 華婷婷