David Parker’s “Light” = A Commentary On Energy Waste

At just slightly over a minute long, this short film is visually what you might expect from a mixture of lava lamp luminescence and The Blob’s flesh-eating ways. And I guess it is intended to be scary, though less in a movie monster type way and more in a “horrors of humanity’s callousness” kind of way.

Filmmaker David Parker created to bring awareness to energy waste. The Sunday Paper’s website writes:

Bleeding, crying lights were meant to metaphorically parallel the way in which we invisibly squander our natural resources without much thought. While the original sentiment remains, the film also grew into a poetic statement about a world run amok and the human tendency to exploit that which we hold dear.

The film was shot over a couple nights in Los Angeles as two friends drove around with a camera exploring the city’s architecture and abandoned landscapes. Keeping in this vain, the film will be projected in selected US cities in vacant storefront windows and onto walls in alleys as a moving piece of public art.

First seen on thebib.is

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/she) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. 2022 sees the release of their next short film, Reckless Spirits, which is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature film.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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