How To Dress Well Live Show Review

“He’s like an ambient R. Kelly,” describes one girl to her friend. Both are waiting outside of Portland’s Holocene for How To Dress Well, the project of solo musician Tom Krell, to take the stage.

As simultaneously flattering and unflattering any comparisons to R. Kelly might be, they are, in this case, not entirely appropriate or accurate. Tom Krell of How To Dress Well is not R. Kelly though he may have a cadence that is similar. Nor are the differences found in both musicians’ adoration of ’90s R&B, which in Krell’s case, was evidenced by slyly inserted homages to songs like INOJ’s “Love You Down” and R. Kelly’s “I Wish”.

Obvious fact of race aside, what separates Krell from a musician like R. Kelly is stage presence. Whereas one might expect R. Kelly to sloppily fall on his knees and babble when seized by the power and might of soul music, watching Krell is arresting in a completely different way. Krell is certainly brimming with passion, but in a much more reserved sense, coming off sometimes more as a choir boy than a soul singer. One almost wishes at times that he would throw more caution into the wind, to not only sing words with conviction, but to get a little less controlled, more possessed, and more anything goes in his entire being.

Portland, OR @ Holocene – June 14th, 2012


On this tour, Krell was joined by two bandmates who provided backing beats, violin, guitar, and keyboard accompaniments. Yet, despite the added hands, the arrangements were extremely sparse and far removed from the How To Dress Well one finds on record. This difference is both appealing and unappealing. Having Krell front and center as vocalist — and only vocalist — is a rare and welcome change in the indie performance world, and bringing a capella songs to an uncontrolled venue setting requires a respectable amount of bravery. But by the third a capella track in one set, the lack of diversity in the arrangement and the lack of vocal filters can become tiring. Concertgoers are able to hear Krell’s voice in all of its clarity, sure, but much more desirable is the incorporation of that delicacy with the highly-affected vocals one hears on record.

Perhaps the most helpful component of HDTW’s live performances are its accompanying video projections. Ranging from minimal to extremely psychedelic, they are all held together by a prominent use of rich off-blacks that hint towards sad and subtle beauty. Again, one has to take a moment here to applaud Krell’s willingness to bare his soul for all to see, for, like a wounded sprite nightly clearing out past emotional difficulties, he is not afraid of embracing fragility in front of a roomful of people.

How To Dress Well’s music has the capacity to create environments and moods that touch people deeply and reach into their nostalgic and sentimental cores, and this is the reason that those who love Krell love him deeply. Hence, the criticisms in this review are meant to be genial and to serve as a friendly challenge to an artist who has much more wide-reaching potential than he is currently living up to. As it stands, How To Dress Well’s live show is good, but caters mostly to those who are already fans. Some work and out-of-the-box experimentation are absolutely necessary to make the show truly amazing.


How To Dress Well – “Ready For The World” / “I Wish” (Cover)

R. Kelly – “I Wish” (Original)

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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