Eight years into its existence, Northside Festival is determinedly future-minded. Dividing itself into thirds, the NYC festival has two- and three-day stretches dedicated to "innovation" and "content". The other third -- four days worth of music between the East River and Bushwick, pulls in choice marquee names and established artists...
Adorning the cover of Sóley's new record, Ask The Deep, is a portrait painted by Ingibjörg Birgisdóttir, with Sóley's face smeared about like the things of nightmares, like a horror film incarnate. Upon first glance, this visual seems inconsistent with one's first impressions of Icelandic musician Sóley Stefánsdóttir -- but...
TOP POPS! Featuring a music video premiere for Portland's Seance Crasher (Kevin and Daniel Rafn) and singer-songwriter Michael Rault....
On this, the international day of canibus, we bring to you a mixtape courtesy of the creators of Desert Daze, a psychedelically-minded festival held in the deserts east of California. Taking place in the aptly-named Mecca, Desert Daze is what you might traditionally come to expect from an American psychedelic...
Too often, when we talk about music, we talk about it in declarative, categorical terms, as if we were ranking market positions and cataloging guitar solos. This way of thinking and talking about music completely negates the purpose of Grouper's music, and leads to a culture where only the brashest, hypiest, blaring-est musics get heard; the equivalent of everyone shouting to be heard at a dinner party.
Instead, Liz Harris' music invites you to lean in and listen closer.
The reason for that is that in this day and age where festivals are hardly differentiated by anything except for stage names, Pickathon sets itself apart from the rest of the musical wasteland by removing its wasteful tendencies. Everything happens at Pickathon for a reason. The end result means that the random stages set up throughout Pendarvis Farm are stellar and sound issues are rarely a problem. Many of the shows are recorded and broadcast live courtesy of a horde of volunteers, which also creates a massive musical archive in the process. Beer, medical attention, phone chargers and general information are all handed out by bright-eyed and cheerful volunteers who are as excited to be there as anyone else. The devil is in the details at Pickathon, stretching from wall art in the portable bathrooms to showers set up within earshot of a stage. For one weekend a year, Pendarvis Farm in Happy Valley, Oregon, becomes the happiest place on Earth for a few thousand people smart enough to know one of the best festivals in the country is happening on someone's backyard. There is every reason to trek down the dusty roads to any of the stages at Pickathon, and no reason to leave.
Their first set of the weekend began at 1 a.m. on the first night, with an apology to Gavin, the sound guy in the Galaxy Barn, for helping four guitarists and four vocalists close out the night. Once apologies were dispensed, Diarrhea Planet proceeded to relentlessly shred through their material, and despite the oppressive temperature inside the barn, the crowd responded accordingly. A new song devoted to the lost art of crowdsurfing had Pickathon attendees leaping on top of each other as the sweating, seething mosh pit took over the whole barn. When all was said and done, a hundred-plus people made the long walk back to their tents covered in a variety of different sweats, only to do it all again the next day. Diarrhea Planet’s second set at the famed Woods Stage Saturday afternoon was just as raucous. Although the cry for crowdsurfing fell on deaf ears, perhaps due to the gentle nature of the stage setup, the six-piece had no issue picking up the slack. Amplifiers were climbed on top of, crowd members were thrown on top of band member's shoulders mid-guitar solo, and outside of the fact that the sun was still up, it was hard to distinguish any less enthusiasm from the drunken barn burner less than 24 hours previous. At the end of it all, it could all be summed up in guitarist/vocalist Jordan Smith's approach to the afternoon, as he said, “We are playing in the woods. Let’s cut down this forest with a buzz saw army of guitars.”
"Now all the days and nights that I'm dreaming I get to breathe the breath you're breathing It's been a long way back to believing someone Can love me and the radio of my mindChanging Light will be self-released on May 13th, 2014, via her own label, Absolute Magnitude, with support from her own home, K Records.
With his latest 2013 full-length, Caramel, Connan Mockasin's music has taken in soulful influences to become a fair degree more grounded and accessible -- but it seems that he still has trouble shaking the character judgments heaped upon him. Caramel is conventional compared to Forever Dolphin Love, but it remains fairly unconventional in the world of indie soul and R&B, full of moments that might be difficult to relate to from outside perspectives.
But talk to Connan Mockasin for any length of time, and one learns very quickly that his motivations and attitudes towards music-making -- and life, in general -- are actually much, much simpler than most would predict. The bulk of his decisions are based upon impulses rather than deep considerations, and flowing from moment to moment without preconceived expectations or concerns for consequence is his general mode of operation. Indeed, it is one that very few people can relate to -- which is perhaps why it is so very "odd" -- but to understand this is to understand the essence of Connan Mockasin's creative genius.