There has been much lamentation and gnashing of teeth about the decaying music industry, with many opinions and conversations about what to do about it. If you were to believe the soothsayers, we'll be reduced to a generation of SoundCloud demoes...
Cate Le Bon's Mug Museum, written in the aftermath of the death of Le Bon’s maternal grandmother, are informed by the self-reflection that such shifts in family hierarchies can cause. More expressly, we are told that the album’s themes emerge from...
MusicfestNW began for me like every other MusicfestNW experience. I consistently respect the festival's curatorial efforts, which always yield at least a handful of acts I am excited about, and an even larger smattering that I don't exactly care for...
Producer Matthew Barnes' first full-length on Tri Angle Records, Engravings, takes airy vocal samples and spaghetti western guitars and stretches them out over an expansive skyline, evoking an aerial view of monochrome industrial landscapes and...
A review of the Pickathon Music Festival, located on Pendarvis Farm just a short bike ride away from Portland, Oregon, is a tough thing to approach. An honest review will be one of the most favorable things you will read, because Pickathon is one of...
The lingering spectre of Bohemia is alive and well on this Thursday evening, cloistered in a mysterious pocket of SE Portland. This show is an invite-only occasion in a tiny house venue, lit up and resplendent in candle flame and shadow. Four...
According to modern day magickians like Alan Moore, “Art is magick, because art transforms consciousness”. By that definition, some of the world’s greatest mystics don’t ever actually identify themselves as such. In my world...
On her debut album, cellist, vocalist, and composer Rebecca Foon — otherwise known as SALTLAND — creates a cosmic wasteland of sound and feeling. Through freeform string parts, spiritually reminiscent vocals, raw, distorted backdrops, and tribal...
