Stacey Rozich + Flatcolor Gallery Celebrate The Last Wave

Seattle’s Flatcolor Gallery is taking a hiatus for the summer! But before then, they will be moving out of their long-standing Pioneer Square location (528 1st Ave. S, Seattle), and are inviting you to join them for a folkloric show of Stacey Rozich‘s new works.

The opening is tomorrow, April 5th, from 5:00pm to 9:00pm. Select pieces are displayed below, and more can be see here.

 

See our interview with Stacey Rozich, Patterns Of Renewal

 

“I used to write a lot of stories as a kid. They would just be really long meandering fairytales, and then I realized I maybe wasn’t that good at it. As I got older, I learned that if you can convey a story with an image, then you’re good; you’re golden. So I focused on having this background narrative that wasn’t quite obvious, yet each piece has a little vignette — a little drama in it.”
— Stacey Rozich, in an interview with REDEFINE

See our interview with Stacey Rozich, Patterns Of Renewal

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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