Some artists are prolific, churning out project after project at a speed that leaves onlookers wondering about their superhuman pace. Some have a much slower process -- painstaking in intricate detail -- and Eric Beltz is one of the latter. A drawing teacher at University of...

Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often...

On this, the international day of canibus, we bring to you a mixtape courtesy of the creators of Desert Daze, a psychedelically-minded festival held in the deserts east of California. Taking place in the aptly-named Mecca, Desert Daze is what you might traditionally come to...

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.

Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers

There is a somber weight inherent within the images of Italian visual artist Massimiliano Grandoni. With emotive composites of illustration and digital collage, he reveals eloquently phrased questions relating to physicality, to purpose and to categorized identity. The represented human characters appear to share a single world not only in aesthetic, but through essential symbolism and even metaphysical conflict.
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Jerzy Flisak - "Gang Olsena Na Szlaku (The Olsen Gang)" (1976)
Generally brightly-colored and psychedelic in nature, Polish film, theatre, and circus posters from the mid-1940s through the 1980s have played a major role on inspiring modern poster art and graphic design. Supported at the time by the Polish government and arguably transformed into the prime form of art in the nation, Polish posters are known for their ability to hint at deeper meanings and personalities through allusion and metaphor, initially seen only as bold strokes of visual fancy. Their history is a complex and dynamic one worthy of many more words, influenced equally by Communism and politics as the state of the international arts scene of the time. In this comparative interview, we speak with two creative studios -- Eye Sea Posters, based in the United Kingdom and dedicated to poster archiving and reselling, and The Affiche Studio, which is based in the United States and dedicated to poster restoration -- on just what makes Polish posters so compelling.
Jacek Neugebauer - "Gwiazdy Egeru" (1969)
James Dyer of Eye Sea Posters
Eye Sea Posters is a graphic archive and online shop specializing in Polish film, theatre and circus posters from the '60s and '70s. Based in the United Kingdom, they feature a hand-picked collection of artist, including Wiktor Gorka, Waldemar Swierzy, Franciszek Starowieyski, Andrzej Krajewski and Jerzy Flisak.
Jason Leonard of The Affiche Studio
Located in Portland, Oregon, The Affiche Studio is a poster restoration company working with a large range of poster styles and types, well beyond vintage Polish works. Jason Leonard is the studio's owner and Curator of Restoration. An impressive array of before and after samples of their restorations can be seen on their website.

One pervy frog man gets down in the music video for Weaves' "Motorcycle", where vaguely sexual lyrics turn into an animated tale of a naughty amphibian's crotch-heavy love for his newfound motorcycle. This animated short is the product of a collaboration between the band and director Jason Harvey, who, for a change of pace, put away his video camera and took out his Wacom tablet. In the featured Q&A, Harvey, along with Jasmyn Burke and Morgan Waters of Weaves, share their perspectives on meeting, the creative process, and the final horny result.

Weaves (Musicians)

 

Jason Harvey (Director)

Weaves - "Motorcycle" Music Video

 

Moderat, the collaboration between German musicians Modeselektor and Apparat, have returned with this music video by their long-time collaborators, the design collective Pfadfinderei [ fɑ:d'fɪndɜ:raɪ ]. Constantly marching ahead in warp-speed fashion, the "Bad Kingdom" music video mixes and matches a series of blue-lined illustrations that unfold to tell the tale of mankind's cruelty and helplessness -- all the while intending to challenge existing social and political structures. In the Q&A below, the design collective details their experience working on this music video, and we review some of their other works.