Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings...
Scottish illustrators Kyle Noble and Jamie Irvine travel the world individually but remain tethered together through the constant exchange of twisted, fantastical comics. Emerging from their psychedelic landscapes — some of which hardly...
Looking Through The Glass When I first wrote about the work of Sydney, Australia’s Mark Whalen years ago, I was fascinated by his use of bright pinks and blues in angular ways that can’t possibly exist in “real life”. Now, in...
“Night Song”, shot entirely in a single take and without the teeniest bit of post-editing, sees a scramble of projected black and white characters, shapes, and words transforming vocalist and director Kim Krans’ face and form into...
With variation in degrees of shading and texture, the black and white watercolor and graphite pieces by Ottawa’s Nimit Malavia seem to be caught in varying degrees of completion. The epic 26 Point Stag, above, seems like a page out of Greek...
UK musicians Amplifier are offering an insane limited edition treatment for their album, The Octopus, complete with silver cover made of KEVLAR, an animation, and a three-disc box set. Limited to 750 copies, below is a sampling of some associated...
Seattle’s Flatcolor Gallery is taking a hiatus for the summer! But before then, they will be moving out of their long-standing Pioneer Square location (528 1st Ave. S, Seattle), and are inviting you to join them for a folkloric show of Stacey...
Our Hands Will Eventually Destroy Everything Beautiful, a new body of work by Japanese illustrator Fumi Nakamura, is the result of a personal period of growth. After a mental breakdown and a year of hiatus from art, Nakamura realized that she needed...