TOP POPS! Neo-Soul w/ Kelela, Lili K, Monophonics, Brownish Black (Premiere)

Top neo-soul pop tracks from Kelela, Lili K, Monophonics, and a track premiere of “Life Lessons” from Portland eight-piece, Brownish Black.

Top Pops! is a recurring selection of indie pop highlights across a selection of styles, to keep you on your dancing, shaking toes. +++ ALL TOP POPS! COLUMNS + ALL MUSIC COLUMNS

Brownish Black – “Life Lessons” Track Premiere

Get ready for some shoulder-shrugging action with “Life Lessons”, the new track from Portland soul band Brownish Black. At eight members strong, Brownish Black’s major forte lies in their ability to throw down some major playful vibes — and when paired with harmonies by Mz. V, lead singer M.D. Sharbatz’s vocals and persona are a sweaty, flailing reminder that dancing can be the most rewarding kind of workout. Life Lessons comes out in June on Portland-based label Breakup Records. Catch them May 15th at Star Theater, and check out their new website at www.brownishblack.com.

Monophonics – “Lying Eyes”

Next, we head down the West Coast to the Bay Area, where local mainstays Monophonics bring us the swirling momentum of their latest track, “Lying Eyes”. Combining a Tame Impala-esque psychedelic haziness with the in-your-face style of classic vocalists, Monophonics could easily lie back idle on their rock band foundations, but manage to stir up curiosities with tasty little morsels of organ and horn. Their full-length, Sound of Sinning, comes out April 14th on Transistor Sound.

Lili K – “Tommy”

Hailing from Chicago, Lili K offers neo-soul at its throwback best. “Tommy” is a simple pleasure which comes from her upcoming record, Ruby, which will be released through Freshly Bkd Records on April 21st. You can also view the retro-inspired music video, which seems quite the adequate backwards look at her hometown.

Kelela – “A Message” Music Video

KelelaKelela readies herself for her upcoming HALLUCINOGEN EP, which drops this May. Directed by Daniel Sannwald, this music video for “A Message” starts out a bit like a FKA Twigs homage before it becomes reminiscent of SBTRKT’s last album cover — but worry not: it ends in an explosion into far-out interstellar anime territory, where melting and oozing are the name of the game. “A Message” comes from a 6-song demo created with the Venezuelan producer Arca, which explores light and darkness and love and sexuality.

One has to love a good concept behind a piece, and the summaries of the cyclical nature of the EP (and of life itself) can be summarized by the following abtractions:

a message: rejection and amputation
gomenasai: domination and empowerment
swoop: feral lust and longing
all the way down: rebirth and recovery
hallucinogen: delirium and ecstasy
the high: the payoff
[REPEAT]

Ω

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/she) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. 2022 sees the release of their next short film, Reckless Spirits, which is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature film.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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